Brett Hull Quotes
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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With a first season, you never really know how viewers or the network are going to react to a show.
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Life isn't perfect, of course, but we all know it's how you react to things that counts.
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One never can know the whys and the wherefores of one's passional changes.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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One of my thoughts on the back nine was 'I don't know how Tiger has won 14 of these things,' I couldn't feel my legs on the back nine.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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You know, children philosophize more than adults - and they are critical of adults.
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They didn't even like Margaret Thatcher but at least there was Margaret Thatcher. There have been women, you know, Sonia Gandhi for heaven's sakes in India.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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I know how to make a record that commercial radio or Triple J will smash now... It's kind of hard to stay true and write what you would write if you didn't have that in your head. Because I know I can get way more airplay and get this much bigger... and that's what I'm trying to avoid doing. Trying to avoid the poisons of success.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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Excess of grief for the dead is madness; for it is an injury to the living, and the dead know it not.
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When I write for kids, I have to make sure they know what can't happen. They have to know it's a fantasy. But when I write for adults, they have to think it's real. Every detail has to be real or they won't buy it.
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Know or listen to those who know.
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Finally, in my critique of the immigration image of America, it is also important to know that we're not only a nation of immigrants, but we are in some part a nation of emigrants, which often gets neglected.
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I think that most people don't even know that I do other things. They think that Homer is all that I do.
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You can't take sides when you know the earth is round.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I try not to focus on fame; I don't even really know what it means exactly because it's so fleeting.
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I think I'm at a place where I haven't really been encountered by anyone overtly strange. But people think they know me.
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You know what? I did! I impressed myself just making it.
