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Ten years ago, you wrote a book and you never expected to find out anything about the author. Now with social media, everyone wants that connection. I think our readers want to be invited into our lives and brought on the journey and be part of this whole process.
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What I've come to learn with self-publishing is that if you want to provide readers with something of equal quality, it requires the same amount of time and expense.
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I am divorced, and one of the things I am tremendously grateful for is that my ex-husband and I made a decision to go through mediation. I knew a trial would drag on for years, would cost me everything, but worse, would be devastating for our four small children.
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I learned that saying you love your friends isn't enough: that love is a verb - it requires Acts of Love. It is all about the doing, not the saying, and now I make a point, every day, of emailing or phoning or making a plan with those I love.
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In my small, coastal New England town, an hour outside New York, I know many people who have dealt with cancer. I can reel off the names of at least 15 women I know, all in their 40s.
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I have a business manager and a book-keeper who deals with our household bills. My husband and I sit down with her for a weekly report on how much money is going out, but I'm not terribly interested, and I don't have the patience for it.
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I am not someone who's very good at looking after herself, and I am also not someone who goes on holiday very often.
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Taking a risk is always frightening, but I gave myself a set period of time and had enough money to see me through. I operated from the belief that things would be okay, that if I wasn't successful I would find myself a job, but either way, I would be fine.
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I have a deep and passionate love of America. It is where I have always thought I would be happiest, and although I miss England desperately, I find that my heart definitely has its home over here.
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I have learned that it is imperative that I make time for my friends, that they demand to be as much a part of the mix as my family and my work, and perhaps more so, because they are not an inevitability.
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A friend of mine suddenly announced she had written a novel and got a publishing deal; I thought, 'Hang on... if she can do it, I can bloody well do it, too.' That novel went to a bidding war, and went on to be a huge best-seller.
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The life of a bestselling novelist sounds like it ought to be spectacularly glamorous and fun, but in fact I spend most of my time incognito, and in fact were you to pass me in the street you would think I was just another dowdy suburban mom.
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I no longer think you can live without passion.
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I treated the first few books as a very long journalistic exercise. I thought of every chapter as an article that needed to be finished.
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As someone who is displaced - I left London almost fifteen years ago to make Connecticut my home - I am drawn to stories about people who don't belong, whether physically or emotionally, and who find their families of choice in their friends.
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I'd like to think I'm not quite so pretentious as to think my characters go off and live their lives once I've written the final page and switched the computer off.
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I had always presumed that my first book would be published, but I never dreamt that I would write 15 bestsellers and have this wonderful life in America that I have entirely built for myself.
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I think friendship is more important than love, but that love that grows out of friendship is the very best of all.
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I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.
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I have a theory that you can tell what the head of a company is like by the people who work there. I knew a publishing house that was run on fear and paranoia, and I felt sorry for everyone who worked there. Needless to say, the person at the helm was not known for kindness, warmth, or grace.
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As a teenager, you are still entirely wrapped up in yourself.
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Just as there are moments when the words flow and it feels like the easiest job in the world, there are many more when I think I have nothing to say, and my journalism training taught me that writing is a job, that you write whether you are inspired or not, and that the only way to unlock creativity is to write through it.
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I have a gorgeous office at home but tend not to write there because there are so many distractions.
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I write in the mornings once the kids have gone to school, taking my laptop and a coffee to a little writer's room in town where I plant noise-cancelling headphones on my head and get to work.