Jane Levy Quotes
Quotes to Explore
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There is a recurring temptation for any nation, and for any writer who operates within its field of force, to make an ornament of the past: to turn the losses to victories and to restate humiliations as triumphs.
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Bodhisattva is enlightened in the Buddhist philosophy, religion, tradition. He's enlightened. It's fine - I don't really fight it - but many people use the term 'zen' and terms like 'nirvana,' 'enlightenment' in an almost superficial way. It's not that complicated.
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We talk about these legendary fighters, talk about how they had hundred-something fights, hundred-something victories... but when you look at the history books, I still beat more world champions than any fighter in history.
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Sometimes people will come up in the street and say: 'My daughter loves you, will you sign an autograph for her?' And some people send me stuff. I don't mind it at all: as a sportswoman, you owe them because they support you.
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There's no more to Holden Caulfield. Read the book again. It's all there. Holden Caulfield is only a frozen moment in time.
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My mail address is open for anyone, and I read all my mails by myself.
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And, of course, in the Philippines there were so many thousands of Americans that were captured by the Japanese and held and who were rescued by Filipino Americans, or Filipinos I should say, and by U.S. troops near the close of the war.
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We need to change America's image round the world. America has lost some lustre in terms of how folks aspire to be like us.
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Whichever party is in office, the Treasury is in power.
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I'm really looking forward to working with Meghan Trainor because that's in the pipeline, and I'm eager for it to really happen.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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I guess there are all these women with a big secret - they're hiding men they are ashamed of. They come up to me and say: 'I've been dating this guy for six months in secret but none of my friends know. I can't give him up even though he's embarrassing.'
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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This scepticism is the same scepticism I heard a generation ago in the USSR when few thought that a democratic transformation behind the iron curtain was possible.
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My stories are not Christianized at all. I don't even have any Christians in my stories. What they are, are stories about ordinary people going through extraordinary circumstances in which I'm exploring truth. How light overcomes darkness in a way that's unmistakable to anyone who has any kind of faith.
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We are quite at ease in this no man's land of ignorance and doubt and dispute, absorbed in the ambiguities of trying to reach truth by mixing fact with invention.
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I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
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The use of travelling is to regulate imagination by reality, and instead of thinking how things may be, to see them as they are.
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I'm sorry I didn't go to jail for six months, then I know you could come to see me anytime you wanted to.
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People lie to themselves all the time about what they've been through and what it means - I'm no exception. But you write those lies down - lies that really matter to you and that are really painful to let go of because they've become a part of who you are - and they don't work.
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My subject matter was a genuine sort of experience that came out of my life, particularly the American world in which I was privileged to be . . . . I would really think of the bakery counters, of the way the counter was lit, where the pies were placed, but I wanted just a piece of the experience. From when I worked in restaurants . . . [it was] always poetic to me.
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Advertising ministers to the spiritual side of trade. It is great power that has been entrusted to your keeping which charges you with the high responsibility of inspiring and ennobling the commercial world. It is all part of the greater work of the regeneration and redemption of mankind.
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Thank God I've never had the sort of intense fame that means you can't walk up the road. That sort of blazing stardom must be difficult to cope with and maintain; my career has just bubbled along happily.
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Your imagination is your most important tool as an actor, as cheesy as that sounds.
