Jane Seymour Quotes
I really love the independent movies and I just think that sometimes when they throw a lot of money into it and a lot of special effects and a lot of stunts that you lose the connection, the human connection and I personally love movies that are about the human connection.
Quotes to Explore
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It was all about flying round the world, working hard, being on the cover of Vogue, making money. It wasn't fun. It was exhausting, but I was young and convinced I knew best.
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When I was young I didn't care about education, just money and box office.
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Republicans support opening the floodgates to special interest money and suppressing the right to vote. It's just plain wrong.
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I'm very close with my higher power. I have a very strong connection with it.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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Radio stinks. The stations are making a lot of money, but they just aren't taking chances.
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In college, I wanted to be a child psychologist. Acting was just something on the side to make money. And it was fun.
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Human connection is the way things work. It's like a patronage system. You know somebody, and he knows somebody, and he knows somebody, and he knows the district governor, and it's okay.
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The first album I ever bought with my own money was 'Ten.' Every single song reminds me of my childhood.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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If you have a line of business - I know this as a CEO - or if you have a teenager - I know this as a parent - who have a spending problem, what do you do? You quit giving them money.
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The plan is to make money, and we know the fans are going to ask for mixtapes, and those mixtapes are going to hit. So when we put a tape out, we have more money coming in, that's why we work hard at it.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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I'm always independent. No boss.
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Just keep learning from the role and not just go for the money.
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It's becoming increasingly harder and harder; there's no such thing as independent film anymore. There aren't any, they don't exist. In the old days you could go and get a certain amount of the budget with foreign sales, now everybody wants a marketable angle.
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I have no connection with Hollywood. I'm not interested. I don't care.
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I worked full time jobs, basically doing manual labor until I could make enough money supporting myself as a musician.
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Capital isn't this pile of money sitting somewhere; it's an accounting construct.
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The marketing of XP is very deliberate and conscious. Part of it is in co-opting the power of the media; I make sure I'm newsworthy from time to time. Part is in co-opting some of my publisher's ad budget.
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No American should have to live in constant fear that their employer can fire them just because of their sexual orientation or gender identity.
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I like clothes.
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I really love the independent movies and I just think that sometimes when they throw a lot of money into it and a lot of special effects and a lot of stunts that you lose the connection, the human connection and I personally love movies that are about the human connection.
