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I wrote the Dickens book because I loved Dickens, not because I felt a kinship with him, but after writing the book it seemed to me that there was at least one similarity between us and that was that Dickens loved to write and wrote with the ease and conviction of breathing. Me, too.
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Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance.
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In my experience, there is only one motivation, and that is desire. No reasons or principle contain it or stand against it.
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If to live is to progress, if you are lucky, from foolishness to wisdom, then to write novels is to broadcast the various stages of your foolishness.
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My mom was paranoid about my safety.
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There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
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Combined families often get bad reviews, but the family my children got when they traded away 'the suffocating four-person' nuclear one is one that has benefited all of them.
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Before I write a novel, images float around in my head that work like icons - they are meaningless in themselves, but serve as reminders.
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A child who is protected from all controversial ideas is as vulnerable as a child who is protected from every germ. The infection, when it comes- and it will come- may overwhelm the system, be it the immune system or the belief system.
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Not every novel that wants to be a tragedy gets to be one.
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In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.
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I have reared, or helped to rear, five children and the scariest bit, bar none, is the learning-to-drive part. It has filled me with anxiety not only about the children, but also about my former self and my friends.
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I learned why 'out riding alone' is an oxymoron: An equestrian is never alone, is always sensing the other being, the mysterious but also understandable living being that is the horse.
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As Fallingwater demonstrates, Wright's genius was always specific, but also always lively, always daring.
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With any novel that you begin, you can't foresee how difficult or easy it's going to be, and you can't really prepare yourself. You just have a take it one step at a time and know that it's all right to keep going - you can always fix it.
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I gallop and jump and ride young horses with intense pleasure.
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There can never be such a thing as a free market, because it is human nature to cheat, monopolize, and buy off others so as to corner the market.
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I had spent years thinking about one thing while I was doing another. I had, in fact, prided myself on being able to do two things at once.
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Mom was a smoker. My grandfather was a smoker. My aunts were smokers. My uncles were smokers. I don't know any smokers now, not even my mom.
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Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
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Respect and fear are two different things.
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The thing about Republicans is that they don't care so much about respect, but they love fear, at least in others.
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It once amused me that it took me three tries to pass my driver's test and that my driving instructor told my mother that I was the least talented person behind the wheel that she had ever taught.
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Another thing I learned is that novels, even those from apparently distant times and places, remain current and enlightening, and also comforting.