Jane Smiley Quotes
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Eavesdrop and write it down from memory - gives you a stronger sense of how people talk and what their concerns are. I love to eavesdrop!
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In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.
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I discovered that the horse is life itself, a metaphor but also an example of life's mystery and unpredictability, of life's generosity and beauty, a worthy object of repeated and ever changing contemplation.
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I was asked by an editor to consider writing something about an American inventor. I asked him if he knew who invented the computer. He said he didn't. In that case, I told him, I should write a book about John Vincent Atanasoff.
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I thought I might write mysteries for the rest of my life.
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My mom was paranoid about my safety.
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Sometimes, a novel is like a train: the first chapter is a comfortable seat in an attractive carriage, and the narrative speeds up. But there are other sorts of trains, and other sorts of novels. They rush by in the dark; passengers framed in the lighted windows are smiling and enjoying themselves.
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If American literature has a few heroes, Miller is one of them. He refused to name names at the McCarthy hearings, and his play 'The Crucible' analysed the hearings in the context of a previous American mass psychosis, the Salem witch trials.
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In many ways, being honest about 'Huckleberry Finn' goes right to the heart of whether we can be honest about our heritage and our identity as Americans.
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As Fallingwater demonstrates, Wright's genius was always specific, but also always lively, always daring.
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I learned why 'out riding alone' is an oxymoron: An equestrian is never alone, is always sensing the other being, the mysterious but also understandable living being that is the horse.
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Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance.
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I think that the Cold War was an exceptional and unnecessary piece of cruelty.
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I loved the house the way you would any new house, because it is populated by your future, the family of children who will fill it with noise or chaos and satisfying busy pleasures.
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Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
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Somehow, knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories, to think through certain issues as only a novel can do, to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
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It once amused me that it took me three tries to pass my driver's test and that my driving instructor told my mother that I was the least talented person behind the wheel that she had ever taught.
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I had spent years thinking about one thing while I was doing another. I had, in fact, prided myself on being able to do two things at once.
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Another thing I learned is that novels, even those from apparently distant times and places, remain current and enlightening, and also comforting.
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Not every novel that wants to be a tragedy gets to be one.
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In my experience, there is only one motivation, and that is desire. No reasons or principle contain it or stand against it.
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I gallop and jump and ride young horses with intense pleasure.
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With any novel that you begin, you can't foresee how difficult or easy it's going to be, and you can't really prepare yourself. You just have a take it one step at a time and know that it's all right to keep going - you can always fix it.
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Mom was a smoker. My grandfather was a smoker. My aunts were smokers. My uncles were smokers. I don't know any smokers now, not even my mom.