Janet Echelman Quotes
My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.
Quotes to Explore
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If you look at my career, doing albums with Norah Jones, Justin Timberlake, Gucci Mane and Lil Wayne or KRS-One and Jean Grae, I can't be pigeonholed.
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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My only career strategy is to just not do anything that I have to be completely ashamed of afterwards! Whether it's TV or movies, I feel lucky to be working.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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Some of the regrets I've had about my own career are things I have not done that I should have done. More than some of the things that I've done.
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I am not the candidate of career politicians in Washington.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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Songwriter friends will be like, 'Oh my God, when are you going to put out 'Love Triangle?'' It's just been that song for me that really helped me get a lot of writing sessions and helped jump-start my writing career.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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I love the game so much. I've been penalized. I've been fined. I have some regrets in my career. But for those four hours on Sunday, you can be free and just let it all go. Retiring had nothing to do with football; it had to do with my family.
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Most Muslim women know it is fear and curiosity that cause people to stare. They know it is ignorance and stereotypes that cause people to suppose that a piece of material covering the hair strips a woman of the ability to speak English, pursue a career, work a remote control.
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Anyone graduating from medical school in 1966 had first to fulfill military service before launching a career. Fiercely opposed to the Vietnam War, I sought to avoid it through an assignment to the Public Health Service.
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I had no luck when I started out as a model. I keep telling people that it's the only career in the world that you can't choose for yourself - you have to be chosen.
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There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
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Hope and optimism have defined my political career, and I continue to be hopeful and optimistic about Canada. Young people have been a great source of inspiration for me.
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When I look back on my career, I go, 'This is really great, I've played so many different women.'
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At the end of the day, TV is my first love. I started off my career from the small screen.
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There will always be a capital shortage from the perspective of entrepreneurs.
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I'm not competing in Iowa for a reason.
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There's always a concern as an actor that you'll be boring unless your character is swinging from a chandelier.
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You don't want to love - your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere.
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I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
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My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.
