Janet Evanovich Quotes
'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
Quotes to Explore
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I'm constantly trying to find something that's different from me, whereas some actors do the same thing, again and again. That's not for me.
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The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
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I think bad politics are incredibly dangerous, so it's important to make sure that people are communicating well. Culture and morale are super important. It's best to not force it, but let it happen organically and genuinely.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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The secret of doing well on TV is to understand that it's not too important. A lot of people watching doesn't change anything.
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When you educate a girl, you kick-start a cycle of success. It makes economic sense. It makes social sense. It makes moral sense. But, it seems, it's not common sense yet.
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What is important is to believe in something so strongly that you're never discouraged.
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Our teachers are operating just as effective leaders in the business world do. They set a vision that most people think is crazy. They convince the kids why it's important to accomplish the goal. And they are totally relentless.
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The true treasure lies within. It is the underlying theme of the songs we sing, the shows we watch and the books we read. It is woven into the Psalms of the Bible, the ballads of the Beatles and practically every Bollywood film ever made. What is that treasure? Love. Love is the nature of the Divine.
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In the jungle, every day is like the other. So you need to have a special discipline to make things different and to keep in your memory the dates and the days. And I think that's something that's very important when you are held hostage.
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Finally, in my critique of the immigration image of America, it is also important to know that we're not only a nation of immigrants, but we are in some part a nation of emigrants, which often gets neglected.
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I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
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Being a father is the most important thing, if you ask me. It changed me as a person and gave me an all new life.
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About 10 years ago, I took some vocal lessons. I'll bet that helped. I got a tape of exercises that the girl gave me, which I don't do anymore, but they were good. And I don't smoke.
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I grew up being scared of the water, which is embarrassing to say as an Australian, but it's true.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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What I look for in any book is an argument, based on evidence, that changes the way I think about something important.
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Trying to design the perfect plan is the perfect recipe for disappointment.
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I was brought up with a scientific outlook on life. It's the way my father deciphers the world - whether it's football, politics or hairstyles. So I don't get anxious about the future, because I was raised to believe and accept that nothing stays the same, and the best way to survive is to adapt.
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I've studied psychology. I'm fascinated by the human mind, and I love people.
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I don't like people cleaning my room.
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If you were to open up a baby's head - and I am not for a moment suggesting that you should - you would find nothing but an enormous drool gland.
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
