Brian Azzarello Quotes
When I was writing about Gotham in 'Broken City,' I was writing about Chicago. I just substituted the names.
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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Team members need to learn to leverage one another, and that doesn't happen over a golf game or on a phone. It happens by getting together and taking the time to know each other.
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Those who really value Ukrainian sovereignty should opt for real independence and a positive neutrality: neither a plaything of the West nor Moscow.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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Black beans and soy beans are the cornerstones of longevity diets around the world.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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Politics is not an exact science.
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All true happiness, pure joy, sweet bounties, and unclouded pleasure are contained within the knowledge and love of God.
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The creative works of the entertainment industry belong to the millions of people who make them and are not for others to steal or unlawfully distribute.
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Everybody knew that I could type pretty well.
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To give pain is the tyranny; to make happy, the true empire of beauty.
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I don't trust Santa Barbara as far as I can spit. I am afraid that if I went back there, it's possible that I could be run through their system, their judicial system, and wind up in some county jail where I could be killed and I'm not gonna take that chance.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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I think that's like the age-old psychological core issue for any situation. Anybody who has had an experience with a parent that is absent, it's going to manifest.
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If you say the word amnesty - the 'A-word,' so to speak - it's DOA. If there's even a hint of amnesty in my district, it's dead on arrival.
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They pollute. It's not because morally they have a problem, but more because the mechanism now is rewarding those who cut corners to save cost.
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My inner critic who had begun piping up about how hopeless I was and how I didn't know to write.
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Sometimes I write less than I'd like but do research. Other times, editor's notes or a copy-edited manuscript or page proofs for a forthcoming novel mean that I need to put my attentions elsewhere for a day or two, but I always come back to writing.
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That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.
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It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
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I am really excited to join the Connecticut Sun.
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When I was writing about Gotham in 'Broken City,' I was writing about Chicago. I just substituted the names.
