Brian Azzarello Quotes
Quotes to Explore
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I am very proud to be African. I want to defend African people, and I want to show to the world that African players can be as good as the Europeans and South Americans.
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I used to stay up all night playing 'Resident Evil 2,' and it wouldn't stop until the sun came up. Then I'd walk outside at dawn's first light, looking at the empty streets of London, and it was like life imitating art. It felt like I'd stepped into an actual zombie apocalypse.
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I don't choose to make movies as small as the movies I've made. The combined budget of my two films is far under $5 million, but it's just by necessity that it ends up being that way.
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Cinema affects everything, from the way I get dressed to how I build my stages.
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I've had my run in with trouble. Fortunately, you know, one slap on the hand is usually the last time for me... I learned my lesson.
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We want to allow Costa Ricans to make a qualitative leap in our development and go to an economy based on innovation and developing a broadband infrastructure in order to overcome the barrier of 15 per cent penetration.
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Do not seek death. Death will find you. But seek the road which makes death a fulfillment.
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But freedom, liberty, is an attribute of the soul and it may exist even when the body is in bondage.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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I've never had any desire to be good. I don't like goodness particularly.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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I am a walking piece of art every day, with my dreams and my ambitions forward at all times in an effort to inspire my fans to lead their life in that way.
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I know politics; I know the media.
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There is a great relief in experiencing the worst vicariously.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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I don't know that I'd call myself an optimist.
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I'd go to clinics and hear coaches say, 'You block with your helmet. You tackle with your helmet.' I'd say, 'No way! You block with your shoulder. It's a lot stronger blow, and you don't risk nearly as much. Why be stupid?'
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Something I always look for in an outfit is to have a standout piece.
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When one compares the talents one has with those of a Leibniz, one is tempted to throw away one's books and go die quietly in the dark of some forgotten corner.
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Giving shape to a painful experience is powerful because it helps us to see, first, how we got through it; second, how we can share it. The experience doesn't stay trapped within us, unspoken, curdling - instead, the art of arranging and transforming it reduces the burden. It no longer belongs to only you.
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There's also a subplot about a guy who manages pop groups. Dave is a very ambitious boy, and he gets offered an audition but only wants to do it on his terms and conditions. He wants to maintain his integrity.
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I'm not the monthly comic guy, and I never really have been.
