Brian De Palma Quotes
So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.
Quotes to Explore
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General Giap was one of the most brilliant military strategists of our era, who in Dien Bien Phu was able to place missile launchers in remote, mountainous jungles, something the yankee and European military officers considered impossible.
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I waited for my first kiss.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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President Obama's over in Indonesia when guys like me were at a paper route. President Obama, I don't know what experience he had at that same age when he was in Indonesia. So I think it's hard for him to grasp that America entrepreneurial spirit.
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I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I'm aware of how the subconscious things can pluck at a reader's emotions, and I love it when filmmakers do the same.
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The only true measure of success is the ratio between what we might have done and what we might have been on the one hand, and the thing we have made and the things we have made of ourselves on the other.
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There's a lot of stress... but once you get in the car, all that goes out the window.
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Going to parties usually makes me feel depressed, just because I have such social fear after meeting people.
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Whenever I do something, it seems so right. And turns out so wrong.
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The president is just the coach of a football team. You need the right support, the right stadium, the right players, the right staff. An excellent coach is not going to win games.
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I've always had tremendous support from my parents. I think there's a myth that gay people have lousy relationships with their parents.
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As a universal history of philosophy, the history of philosophy must become one great unity.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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I am a self-critical perfectionist.
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I just went to an acting agency one day and just said, 'I would like to act. Would you take me?' And they took me.
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If I leave this sport, I think life will stop.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I haven't gone to college yet and I intend to in a few years.
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I entered the acting world at a time when there was a higher demand for Middle Eastern actors in the post-9/11 world, and yeah, the roles weren't great.
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I don't really have an average day, and that works for me. If I knew what I had to do ahead of time, I would be so depressed. I love the unexpected. I love change. I love things being thrown at me.
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And so the arbitrary union of three incommensurate, mutually disconnected concepts became the basis of a bewildering theory... by which one of the lowest renderings of art, art for mere pleasure - against which all of the master teachers warned - was idealized as the ultimate in art.
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Man has learned how to challenge both Nature and art to become the incitements to vice! His very cups he has delighted to engrave with libidinous subjects, and he takes pleasure in drinking from vessels of obscene form!
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He whom Love touches not walks in darkness.
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So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.
