Frank Ocean Quotes
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It started to weigh on me that I was responsible for the moves that had made me successful, but I wasn't reaping the lion's share of the profits, and that was problematic for me.
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How we experience memory sometimes, it's not linear. We're not telling the stories to ourselves. We know the story; we're just seeing it in flashes overlaid.
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In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.
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I make pop culture.
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I feel like I was writing as I was learning to talk. Writing was always a go-to form of communication. And I knew I could sing from being in tune with the radio.
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I'm big on what's in good taste.
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In art, at a certain level, there is no 'better than.' It's just about trying to operate for yourself on the most supreme level, artistically, that you can and hoping that people get it.
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Super-envious of the fact that Daft Punk can wear robot helmets and be one of the most famous bands in the world, while also understanding that will never be my situation.
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The idea of recognising your strengths and using them in as versatile a way as you can is cool to me.
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I don't fear anybody... at all.
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I wrote 'Channel Orange' in two weeks. The end product wasn't always that gritty, real-life depiction of the real struggle that happened.
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I never think about myself as an artist working in this time. I think about it in macro.
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Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
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My grandfather was smart and had a whole lot of pride. He didn't speak a terrible amount, but you could tell there was a ton on his mind - like a quiet acceptance of how life had turned out.
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I can't usually stomach a project after I finish it, but for those days and weeks and months that it's new to me, I do listen to it, and it might change over time, but it's about function.
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I've always wanted to make a career in the arts, and I think that my only hope at doing that is to make it more about the work.
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When I was growing up, there was nobody in my family - not even my mother - who I could look to and be like, 'I know you've never said anything homophobic.' So, you know, you worry about people in the business who you've heard talk that way. Some of my heroes coming up talk recklessly like that.
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I want to thank The Beatles for almost single-handedly getting me out of writer's block.
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We all know we have a finite period of time. I just feel if I'm going to be alive, I want to be challenged - to be as immortal as possible. The path to that isn't an easy way, but it's a rewarding way.
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I like the anonymity that directors can have about their films.
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I'm in this business to be creative - I'll even diminish it and say to be a content provider.
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It's about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story, and all kinds of sonic goodness - sonic goodies.
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This has always been my life and no one else's, and that's how it's always been since the day I came in it.
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We were poor. But my mom never accepted that. She worked hard to become a residential contractor - got her master's with honors at the University of New Orleans. I used to go to every class with her. Her father was my paternal figure.