Pierre Boulez Quotes
I always admired very much the virtuosity in Strauss because, really, he's a master of using the orchestra. And I like virtuosity, I must say, even if the taste of the music is not always mine.

Quotes to Explore
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I listen to Helmet - and I love Helmet, they're a great band - but every song sounds the same.
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Palestinian propagandists can say and do anything they please without concern for the truth, in the belief that if they repeat it often enough it will simply become the truth.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all, in which case you have failed by default.
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I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
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I think you grow wherever God plants you. I hope I'm growing as a person of faith, as a Christian. That should be our number one objective this journey of life. That all starts with a personal intimate relationship with Christ and then being in prayer every single day about all of those things - being tenacious about it.
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I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.
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One knows less about one's own destiny than about anything else on earth.
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Spiritual infirmities such as tepidity are caused, not only by chills but also by fevers, that is, by excessive zeal.
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I like chords that are very lush with all the lush parts taken out.
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IQ is a commodity, data is a commodity. I'm far more interested in watching people interact at a restaurant with their smartphone. We can all read 'Tech Crunch,' 'Ad Age.' I would rather be living in the trenches. I would rather be going to Whole Foods in Columbus Circle to watch people shop with their smartphones.
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My soul has grown deep like the rivers.
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One never knows whether people have principles on principle or whether for their own personal satisfaction.
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To all the parents out there, thank you for allowing me to be a role model for your children. I really, really do not take that for granted.
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As a kid I didn't see black cowboys on the screen. What that said to me was that there were things I couldn't do or be because of my color. What we see others like us do gives us permission to expand our own horizons.
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While books expand horizons by exposing us to worlds outside our own, children also need to see themselves, their experiences and their cultures reflected in books they read. Unfortunately, for too many children, this is not the norm.
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Never dress older than you are! The five wardrobe items you must have are a nice pair of well-fitting shoes, pajamas, sexy yet comfortable lingerie, a party dress in a bold colour and a jumpsuit.
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Angels are spirits, but it is not because they are spirits that they are angels. They become angels when they are sent. For the name angel refers to their office, not their nature. You ask the name of this nature, it is spirit; you ask its office, it is that of an Angel, which is a messenger.
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Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.
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Abandon the urge to simplify everything, to look for formulas and easy answers, and to begin to think multidimensionally, to glory in the mystery and paradoxes of life, not to be dismayed by the multitude of causes and consequences that are inherent in each experience -- to appreciate the fact that life is complex.
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Another way of working is setting deliberate constraints that aren't musical ones - like saying, "Well, this piece is going to be three minutes and nineteen seconds long and it's going to have changes here, here and here, and there's going to be a convolution of events here, and there's going to be a very fast rhythm here with a very slow moving part over the top of it." Those are the sort of visual ideas that I can draw out on graph paper. I've done a lot of film music this way.
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I always admired very much the virtuosity in Strauss because, really, he's a master of using the orchestra. And I like virtuosity, I must say, even if the taste of the music is not always mine.