Frank McCourt Quotes
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There's so much absurdity. Poverty is so absurd.
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I don't know anything about a stock!
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If somebody wants me to speak in, say, Chicago, a limousine picks me up at the door to brings me to the airport. I fly at the front of the plane, and a limousine meets me at the other end to take me to a grand hotel, and usually an envelope is left for me with a per diem, maybe $150-a-day walking around money, and then I go home.
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I like the lemon meringue pie but I don't like the way Americans leave out the 'r' at the end of a word.
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The happy childhood is hardly worth your while.
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I've had experiences on both sides of the ocean and various classrooms and bedrooms around New York.
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My mother had had six children in five and a half years, and three of them died in that time.
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Sure, I went through my 'J'accuse' phase. I was so angry for so long, I could hardly have a conversation without getting into an argument. And it was only when I felt I could finally distance myself from my past that I began to write about what happened - not just to me, but to lots of young people. I think my story is a cautionary tale.
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First of all there is always that artistic challenge of creating something. Or the particular experience to take slum life in that period and make something out of it in the form of a book. And then I felt some kind of responsibility to my family.
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I had moments with my father that were exquisite - the stories he told me about Cuchulain, the mythological Irish warrior, are still magical to me.
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The part of Limerick we lived in is Georgian, you know, those Georgian houses. You see them in pictures of Dublin.
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When I read about Joyce, I realised that there was no eight-till-one in his life: it was 24 hours a day for him.
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I didn't know you could write about yourself. Nobody ever told me about this.
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There was a kind of madness in the country. Eamon De Valera, the prime minister, had this vision of an Ireland where we'd all be in some kind of native costume - which doesn't exist - and we'd be dancing at the crossroads, babbling away in Gaelic, going to Mass, everyone virginal and pure.
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For some reason, I wrote about the bed we slept in when I was a kid. It was a half-acre of misery, that bed, sagging in the middle, red hair sticking out of the mattress, the spring gone and the fleas leaping all over the place.
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Why is it the minute I open my mouth the whole world is telling me they're Irish and we should all have a drink? It's not enough to be American. You always have to be something else, Irish-American, German-American, and you'd wonder how they'd get along if someone hadn't invented the hyphen.
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They tell me I'm on 'Politically Incorrect' with Ollie North. That should be a lot of fun.
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There were a number of houses. When we first arrived in Limerick, it was a one-room affair with most of it taken up with a bed.
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O'Casey was writing about people in the streets and his mother and dying babies and poverty. So that astounded me because I thought you could only write about English matters.
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I loved reading and writing, and teaching was the most exalted profession I could imagine.
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I don't see myself as either Irish or American, I'm a New Yorker.
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Sing your song. Dance your dance. Tell your tale.
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Everyone has a story to tell. All you have to do is write it. But it's not that easy.
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Mam was always saying we had a simple diet: tea and bread, bread and tea, a liquid and a solid, a balanced diet - what more do you need? Nobody got fat.