Brian Eno Quotes
The problem with improvisation is, of course, that everyone just slips into their comfort zone and does sort of the easy thing to do, the most obvious thing to do with your instrument.
Quotes to Explore
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I never do anything out of my comfort zone.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have some idea of how to approach the various hurdles.
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The way I train, the way I spar, I'm out of my comfort zone every single day, and you can see the result in my fights.
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I mostly like to travel and volunteer because I get antsy if I stay in my comfort zone for too long.
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You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
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I love acting and would love to do it more. It's harder to go into acting as a model now than it ever was because so many models are doing the same thing. I want to do anything that's challenging and not within my comfort zone, and a Bond girl is so different to who I am.
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It's good for me to do things outside my comfort zone and push myself.
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I like stepping out of my comfort zone.
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Discovery follows discovery, each both raising and answering questions, each ending a long search, and each providing the new instruments for a new search.
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Improvisation is just writing in front of an audience.
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Love is the best, most insidious, most effective instrument of social repression.
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Composing is improvisation slowed down.
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Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
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Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
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The ultimate comfort zone is within.
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Ninety to ninety-five percent of people will withdraw to the comfort zone when what they try doesn't work. Only that small percentage, 5 or 10 percent, will continually improve themselves; they will continually push themselves out into the zone of discomfort, and these are always the highest performers in every field.
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I probably wrote three-quarters of the songs without an instrument in my hands.
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Always! That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it last forever. It is a meaningless word, too. The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.
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From what I see, nowadays punk and anarchy are still connected with "fast loud music by smelly drunk chaos-people" and, yes, I know I'm over-generalizing here. So when the occasional venue still describes us The ex as "anarchopunk" that's a real bummer, since it attracts an audience that expects a kind of music - which we don't play - and it keeps away another audience that actually might have liked it when they would have come. That's a pity, for both them and us.
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The problem with improvisation is, of course, that everyone just slips into their comfort zone and does sort of the easy thing to do, the most obvious thing to do with your instrument.
