Brian Eno Quotes
One way of working is just bring a group of totally different musicians together and encourage them to stick to their guns, not to do the thing that normally happens in a working situation where everyone homogenizes and concedes certain points - so eventually they're all playing in roughly the same style. I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away. So there would be a kind of space in the middle where I could operate, and attempt to make these things coalesce in some way. In fact quite a lot of my stuff has arisen from that.
Quotes to Explore
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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My life is proof that I don't need you to do what I do. If there's no one to see it, I'll watch it.
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I grew up in Hemel Hempstead, Hertfordshire, and reading was a big part of my life - I'd get through several books a week.
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Culture is a way of coping with the world by defining it in detail.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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The Federal Reserve is incapable of accomplishing its stated objectives.
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Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
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I have asked my mom and my sister a couple times if I should post something or not. Or if they think a video is funny.
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I want every day to be life for the living, not just traipsing through it existing. I'm just interested in life and the world and exploring.
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I'm still having fun, and I'm doing something and I'm seeing the world! I wasn't massively ambitious, but I did always want to do the best I could do.
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I was born Roman, and I'll die Roman. I'll never leave this team or my city.
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I'm not a fan of soccer, for sure not.
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Another thing: despite my youthful appearance, I am quite capable of making decisions.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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I was reading about all of these medical and psychological experimental programs that the government and various intelligence agencies had run throughout the 20th century. Any book you can read on that, there's some really horrifying and fascinating stuff that goes on there.
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I'm going to try to tell stories and let each tale skate its own way into dark or light territory as the needs of the story steer me.
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To be 49 years old now and still be called The Kid, that's kind of special.
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I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
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I have a dual role as founder of AERIN and Image and Style Director of Estee Lauder. So work is a bit of a juggling act.
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As a woman, I think my style defines my leadership in that it's a gentler, more compassionate approach. Rather than tell people what's good for them, I consult, I listen and I compromise where it's in the best interest of the citizens.
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It is a must to believe in one's product.
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One of the very, very exciting things I have found here in L.A. is that no one talks to you about being Scottish. Whereas, if you are in London and you are trying to put films together and be a film-maker, there is a kind of unspoken sense that, if you are Scottish, you have something to overcome or else you cannot really do that project.
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Anyone who has experienced a certain amount of loss in their life has empathy for those who have experienced loss.
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One way of working is just bring a group of totally different musicians together and encourage them to stick to their guns, not to do the thing that normally happens in a working situation where everyone homogenizes and concedes certain points - so eventually they're all playing in roughly the same style. I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away. So there would be a kind of space in the middle where I could operate, and attempt to make these things coalesce in some way. In fact quite a lot of my stuff has arisen from that.
