Brian Ferneyhough Quotes
Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside.

Quotes to Explore
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I didn't audition for 'SNL.' I sent in a tape to 'SNL' the year before I started writing there, but I got the job there through doing stand-up on Fallon.
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Dear God! how beauty varies in nature and art. In a woman the flesh must be like marble; in a statue the marble must be like flesh.
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When I'm making music, I can hear all the parts, all the instruments. I can hear what it should be.
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I had no desire to be a chef, but I had a desire to be someone who was heard.
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The human soul needs actual beauty more than bread.
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I believe there is a direct correlation between love and laughter.
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Six years, I didn't act. Then I wrote myself a role - I won prizes all over the world.
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The basic right to quality and affordable health care is under assault by Donald Trump and Republicans in Washington.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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Rand Paul does not like being compared to his father Ron any more than sons named Bush like to dance in their father's shadow, but the crucial difference is that while the Bushes all hail from the relative mainstream of the GOP, the Pauls have an ideological tributary virtually to themselves.
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I feel like every word I say now, I can really inspire people.
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The more women serve in executive office, the more confidence they gain in themselves and that voters gain in them.
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The Washingtonian said it shouldn't be built. The gallery's East Building is now considered a triumph, and members of the American Association of Architects have voted it one of the best buildings of all time.
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Some taxpayers may object to a print journalism bailout on the grounds that it mostly benefits the liberal elite. And we can't blame taxpayers for being reluctant to subsidize the reportorial careers of J-school twerps who should have joined the Peace Corps and gone to Africa to 'speak truth to power' to Robert Mugabe.
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I do my own thing. And I believe what I do is the right thing.
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I've always wanted to take up work that my heart is convinced about. And I shall continue to do so.
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I thought it must be desperate to be old. To wake up in the morning and remember that you were ancient - and so behave that way. I thought old people were full of aches and pains and horrible illnesses.
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If you look at the carrying capacity of agricultural areas throughout the world, their ecological habitats are changing. So I think we're looking at - in our lifetime - great collapses of food services.
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I don't believe in an afterlife, so I don't have to spend my whole life fearing hell, or fearing heaven even more. For whatever the tortures of hell, I think the boredom of heaven would be even worse.
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I would advise any beginning writer to write the first drafts as if no one else will ever read them - without a thought about publication - and only in the last draft to consider how the work will look from the outside.
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If you look at the carrying capacity of agricultural areas throughout the world, their ecological habitats are changing. So I think we're looking at - in our lifetime - great collapses of food services.
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I've worked in the Inuit hamlets of the west coast of Hudson Bay since 1994. Over that time I've been very moved by both the pace of social change there - the loss of traditional ways of seeing the world, the affinity for and comfort with the land - and by the social disarray that change of this pace produces.
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Books fall open, you fall in, delighted where you've never been; hear voices not once heard before, reach world on world through door on door; find unexpected keys to things locked up beyond imaginings. What might you be, perhaps become, because one book is somewhere? Some wise delver into wisdom, wit, and wherewithal has written it. True books will venture, dare you out, whisper secrets, maybe shout across the gloom to you in need, who hanker for a book to read.
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Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside.