Janis Joplin Quotes
Quotes to Explore
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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In winter, the Icelanders told the tales of the brave men of old in their families, and so the tradition was handed on from father to son, the same stories told every winter, till all the particulars became well known.
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My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
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Our family is very tight. Just like any family, we have our ups and downs, but the love is always going to be there. I try to go to my parents' house as much as I can.
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I never told my father I loved him before he died, and I have a lot of issues about that. They're all swimming around in my head, in my heart, unresolved, and in a way it felt fitting to dedicate the film to him.
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Even though my dad was a manager in the minor leagues, I still traveled around with him and saw it from the field out. Now, as an owner, you're kind of looking from the whole baseball activity from outside in, from a fan's perspective.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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My father always said, 'Malala will be free as a bird.'
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I am not sad, but I am melancholic. When you lose your mother at 20 and then your father soon after, melancholia is part of your life.
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I don't wear a bikini on the beach. I walk around my house in pyjamas. I haven't seen myself naked in the mirror for probably a decade. I'm very prudish.
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I have Aboriginal roots on my father's side, and have always indentified with that spirit. I feel a lot of my music comes from that place.
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Jazz is a constant theme in my life. My father is a jazz pianist, and from an early age I have been surrounded by it.
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My father came from nothing, so he believed that people could do anything if they worked hard enough. I think he liked that I chose to be an actor. Both he and my mom were totally supportive.
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I am truly multi-racial. I never knew my biological father. I've always had less information than I would have liked to have had. All I know from my mother is that I have connections to many different cultures.
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We're living in a time when parenting is not at all mirroring the way I was parented. For me, I just followed my parents around on their errands; when they were busy on the phone, I was quiet. It's a different kettle of fish these days: They run the house, and you listen to their music, and you go to their appointments.
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My parents had chosen the medical profession for me. I even studied a few semesters at St Xavier's College, but at the back of my mind, I always wanted to be a musician like my father.
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People say I look like my father. My son is very much like him.
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It was about 2012, 2013. I started from zero. Small fashion shows, small photoshoots. I've seen a lot. I've seen a lot of things up close. I married my sister off; I gave jahez for her wedding. I tried to keep relations going with my family. I bought a house for them in Multan. My parents are settled in Multan; my house is there.
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I went to a rare live Van Dyke show and met him there. And then he came to a show of mine and we spoke back stage. The third time was at Brian Wilson's birthday party.
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'Reinventing the Bazaar,' by John McMillan, is a great and fun introduction to the wild variety and importance of markets throughout history and around the world. I finally understood how a Middle Eastern souk actually works economically and how to compare that to modern-day telecom-spectrum auctions. I love that book.
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Im Unglück finden wir meistens die Ruhe wieder, die uns durch die Furcht vor dem Unglück geraubt wurde.
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With Ibrahim al-Koni, what I figured out was - and you'll see this in his novels - if your time is limited, make the unit of the chapters small so that you can finish one a day, at least in the first draft. Once you have the first draft it's living, and you can coax it to grow and trim it and reshape it and so on. But get that first draft. I think if I'd gone to an MFA program and learned that, it would have been money well spent. But translation has been that for me.
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I don't like celebrities; I don't hang out with them; I don't relate to that life.
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My father wouldn't get us a TV, he wouldn't allow a TV in the house.
