Jason Alexander Quotes
Do people absolutely need the arts to get by day-to-day? You can make that claim, but they also really need a lot of things before that.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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Five to six thousand people die every year waiting for organs, but nobody cares.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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Since I started acting, I've always been aware of the sort of 'beastly entity' that is America and Hollywood, and semi-consciously, I devised a kind of route in - I'd seen a lot of people try and fail.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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Of course we wish that more people involved in the leak of my true CIA identity had been prosecuted, but the system worked.
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There's very little you're not exposed to in New York City, in terms of ideas and physical things - sights, sounds, smells, different kinds of people. But one good thing about growing up fast is you get over it fast, too.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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Atheists have as much conscience, possibly more, than people with deep religious conviction, and they still have the same problem of how they reconcile themselves to a bad deed in the past. It's a little easier if you've got a god to forgive you.
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The usefulness of a meeting rises with the square of the number of people present.
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I worked in Licorice Pizza when John Lennon was killed. I had the day off, but I came in anyway because people needed a place to mourn.
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Anyone in the humor business isn't thinking clearly if he doesn't surround himself with idea people. Otherwise, you settle for mediocrity - or you burn yourself out.
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I love collaborating with different people.
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People have more dimensions to them than we give them credit for. The person you meet on the street that you think is someone, and it's someone else. I'm mistaken for someone else all the time.
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People on both sides of any conflict believe they are right, whether it's on a TV show or in the real world.
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My work at R.E.I. was incredibly fulfilling and rewarding, especially the stewardship elements of it, the ability to connect young people to public lands close to home.
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The magazine, the daytime show, we've always tried to write affordable, accessible. Those are key words for us, and I do mean us, a huge staff of people at the magazine who love to cook affordable, friendly food that helps families eat better for less.
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History is not everything, but it is a starting point. History is a clock that people use to tell there political and cultural time of day. It is also a compass that people use to find themselves on the map of human geography. History tells a people where they have been and what they have been, where they are and what they are. Most important, history tells a people where they still must go, what they still must be. The relationship of history to the people is the same as the relationship of a mother to her child.
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People who work in specialized fields seem to have their own language. Practitioners develop a shorthand to communicate among themselves. The jargon can almost sound like a foreign language.
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The main aim of the Palestinians is to destroy the state of Israel.
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I imagine like most of us that I'd like obscene amounts of money but the people I met and worked with who have those obscene amounts of money and have obscene amounts of fame have awful lives. Really. I mean hideously compromised lives. And I can go anywhere. No one knows who I am.
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I feel strongly about HIV/AIDS and children because I'm a famous singer, a public figure, and I'm a female and a mother. I have the responsibility and the passion to help out and do whatever I can.
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Do people absolutely need the arts to get by day-to-day? You can make that claim, but they also really need a lot of things before that.
