Jason Priestley Quotes
Any time you get to do a David Mamet play, it's a great opportunity. His writing is such that I think it's a big challenge, but when you get it right, it's a great opportunity to play every night, really.
Quotes to Explore
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The team needs me out there on the field. And sometimes you allow that to jeopardize yourself, but that's just the nature of the world.
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There comes a time when money doesn't matter.
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My way of relaxing was always doing the opposite and playing the drums, but I need to be able to actually chill.
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I've had the privilege of meeting and/or interviewing most of the top metal and hard rock artists at various points in my career and sharing their stories and music with millions of fans on air through TV and radio.
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Things can fall apart, or threaten to, for many reasons, and then there's got to be a leap of faith. Ultimately, when you're at the edge, you have to go forward or backward; if you go forward, you have to jump together.
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No decent career was ever founded on a public.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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Women and gay men have something in common after all: in that they are trying to deal with this goofy egotistical monster called a man.
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I like films to be pure cinema, but I also like them to provide a snapshot of a family, a society or a character - something that can nourish you as a human being as well as an actor.
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The military executes policy decisions.
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Trinidad may seem complex, but to anyone who knows it, it is a simple, colonial, philistine society.
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I think every movie is its own little world, and a director certainly sets the tone.
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Be your true self. Because if you're not, there are consequences to be paid.
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I'm a hopeless romantic and I believe that you can find love in many different places and be very conflicted. I've discovered as I've grown up that life is far more complicated than you think it is when you're a kid. It isn't just a straightforward fairytale.
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The air of ideas is the only air worth breathing.
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You have to train people how to be business innovators. If you don't train them, the quality of the ideas that you get in an innovation marketplace is not likely to be high.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
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I'm the type of person who doesn't hope, dream or wish for things. I work and work and work.
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As a child, I spent a lot of time wandering around the prairies and in the hills, and there was a sense that it was such a wide-open space, and there was kind of a feeling of potential. I could imagine anything happening there.
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My aim is for every song to have a purpose - for you to be able to say, 'This song is about this.' But love and heartbreak are some of the most abstract subjects.
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Something is guiding my career; I don't know what it is. When I look back at my career, I call myself the most lucky actor in the world. It is all I have ever done. I do master classes, and I tell people not to use me as an example. I do not know anyone like me - not to brag - it is just very unusual.
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I wanted so badly to have a backup plan for when I'm not performing anymore. Let's be realistic: it's not going to be like this forever.
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Any time you get to do a David Mamet play, it's a great opportunity. His writing is such that I think it's a big challenge, but when you get it right, it's a great opportunity to play every night, really.
