Jason Priestley Quotes
Well, I've been a professional racer for nine years. And if I could get it to pay me as much as acting, I'd give up all the rest in a second. Working in television, however, has made me accustomed to a certain lifestyle that I'd like to maintain.
Quotes to Explore
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I belong to a specific category of writers, those who speak and write in a language different from that of their parents.
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Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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The loss of life will be irreplaceable.
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Memory is a complicated thing, a relative to truth, but not its twin.
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I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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When I was a child I asked my mother what homosexuality was about and she said - and this was 100 years ago in Germany and she was very open-minded - 'It's like hair color. It's nothing. Some people are blond and some people have dark hair. It's not a subject.' This was a very healthy attitude.
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He has a right to criticize, who has a heart to help.
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I want to do an American 'Umbrellas of Cherbourg.'
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I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.
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I shot 'Girl' about three weeks after I finished 'The Magnificent Seven.'
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I don't care about how much other actors get.
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The West has become the world model; developing countries are dreaming of living like us, which is impossible. They should reject our model, because it is not sustainable. Developing countries should even give us the example, but unfortunately that's not what happens.
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I really like Los Angeles - I had a good life out there. But the reason I choose to live in New York is because when I'm between engagements, as they say, something creative always comes up for me, like 'Julian Po,' or helping teach at NYU, or helping stage a show at Juilliard.
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I make work not to give answers but to question things.
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Seasonal flu is now a pandemic that lasts for years and years because you've got so many people that it's jumping back between northern and southern hemispheres and moving itself around the world. By the time it gets back to where it started, it's changed sufficiently so that people are no longer immune.
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There's nothing like taking two flights when you have a horrible hangover. It's bad when people can see actual alcohol seeping out of your disgusting pores.
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Women have seen that they have locked themselves up with feminist writing.
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Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
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I get 'The New Yorker,' and I'm usually about three issues behind. But I do catch up. The problem is that it always seems like homework, but then you start reading it and go, 'Why am I not doing this all the time? These are such great stories!' But, yeah, that stack gets so big and dense.
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The time leading up to the 1996 Olympics was the most demanding and stressful of my career. The sport I had loved so much was slowly becoming a nightmare as I trained with Bela and Marta Karolyi the summer before the Olympics.
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Well, I've been a professional racer for nine years. And if I could get it to pay me as much as acting, I'd give up all the rest in a second. Working in television, however, has made me accustomed to a certain lifestyle that I'd like to maintain.
