Brian Lamb Quotes
Quotes to Explore
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Don't try and make a movie for someone else. You have to make it for you and trust that you're not that unique. And that'll matter to other people as well.
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The gay community is very fickle. And I know because I'm part of it and I see it every day.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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I'm part Cuban, so anything with a good beat like Rumberos de Cuba gets me going.
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The true Tarot is symbolism; it speaks no other language and offers no other signs.
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I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
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For skincare, I'm a Clean and Clear girl. Especially with the humidity in Georgia, Clean and Clear has been pretty good to me with all of the makeup we have to wear. My skin really responds to that product. I'm also a big fan of Kiehl's under-eye avocado cream.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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I always believed in if you give your best, people will see it, and it moves to the next level. I got my first movie, and I gave it my best. Before I was done with that movie, I was offered my first feature film.
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I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
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I'll work out with my trainer twice a week, and I'll do some Power Pilates and might throw in some yoga. I love to row also. The main thing for me is just to move every single day for 30 minutes to an hour.
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Writers are so important.
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I want to teach. I've got to figure a way to continue doing this in some capacity.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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As youngsters, my mother taught her children that while we might not be the smartest people around, we could be courteous, polite and considerate of others.
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In the successful organization, no detail is too small to escape close attention.
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Whereas I want everything to be peaceful during a birth, I take the total opposite approach when I'm helping someone come to terms with leaving this place - I play Richard Pryor records.
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When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.
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I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.
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For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character Ethan Hunt.
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Who cares if a movie star has an opinion unless the person is very well informed?
