Jason Robert Brown Quotes
Writing music and lyrics, you tend to become a control freak - sitting alone in your room with a bare light bulb over your head, writing communist manifestos.
Quotes to Explore
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I'm not going to roll back anything. Nothing is going to change with respect to reproductive rights.
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I want to ski down Mount Cho Oyu in the Himalayas when I am 85, descending from a height of 8,201 meters.
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Humans are a social species more than any other, and in order to build a community, which for some reason humans have to do in order to live, we have to solve the communication problem. Language is the tool that was invented to solve that problem.
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This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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When we assess the impact of technological changes, we tend to downplay things that happened a while ago.
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Hot girls have so many options. Sitting at home alone any night of the week and searching the Internet for a dude is on zero hot girls' agendas. So they're definitely not coming after you.
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I got into politics because businessmen should be spending your money.
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I feel privileged that I've been able to get anywhere, with my quote-unquote limited mainstream appeal, given my race and subject matter. Of course, I always have my masters to fall back on.
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This is going to sound pretentious and esoteric, but I truly mean it from the bottom of my heart. Acting has always been a spiritual journey for me. The very first project I ever acted on paralleled my experience so perfectly even before I was aware of it.
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Whenever I come across an Arabic word mired in English text, I am momentarily shocked out of the narrative.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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I've used a cellphone exactly twice. Things move on. The world changes. And I don't know it.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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Whatever I think the song sounds like is what I'll name it. It's a feeling thing; it's not logical at all.
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I've had a hip replacement, I've beaten cancer, I had my hand operation, and I stopped drinking. Something inside of me just went, 'I'm done.'
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Then, once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.
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Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
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When you torture a person for long periods you might get a very passionate human rights defender but most probably you will get a beast whose only concern is to seek his revenge in the best way possible.
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Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
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Writing music and lyrics, you tend to become a control freak - sitting alone in your room with a bare light bulb over your head, writing communist manifestos.
