Katey Sagal Quotes
Quotes to Explore
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A lot of our animation projects are co-productions with French production companies.
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I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
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Scandinavia was awash with Maoism in the '70s. Sweden had Maoist groups with a combined membership and periphery of several thousand members, but it was Norway where Maoism became a genuine popular force and hegemonic in the culture.
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I like a walking culture; I need to be in a city where you can walk everywhere.
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I do have to travel a lot for speaking engagements.
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If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
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I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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Rap culture is interesting and different and has purpose but it has a non-romantic view of life and of social feelings. There may be a void in that.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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The kids get cheated out of a lot of times with their dad. They were good about it.
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I don't trust a lot of journalists.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I think a culture can really be elevated through the arts, and it's always a dream come true when I come across roles that enable me to fuse my love of storytelling with my passion for activism and raising social awareness.
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Describing passive violence in this culture is kinda like someone who is drowning in the middle of the ocean giving you the low-down on water. The only way you can really understand passive violence is by going somewhere far, far away from phones, news, TV, the Internet.
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There are no globalized, youth-led, grassroots social movements advocating for democratic culture across Muslim-majority societies. There is no equivalent of Al-Qaeda without the terrorism.
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It is confusing, because in this culture we really don't have anything that corresponds to geisha.
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It's almost like Time's Up allowed some really good old-school players to stand up and say, 'We're actually just really normal companies that want to facilitate culture-making. Some of us are even in it for the slow returns.'
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I bring the staple of my culture.
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Family involvement is a valuable thing and playing together actively can be the '90s version of it. Instead of just watching, you can do it together... something we don't spend enough time on. We can motivate and excite each other about fitness.
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There isn't a lot written about the motorcycle culture.
