Jay Chandrasekhar Quotes
Quotes to Explore
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When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
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Everything is global now. It's not London, it's not Spain, it's not Italy - everything is everywhere. So you have to be everywhere, I guess.
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Leaving the old, both worlds at once they view, That stand upon the threshold of the new.
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I never desire to converse with a man who has written more than he has read.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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My father was the proprietor of a music shop on Forty-third Street, where many of the finest performers and musicians of the day would come to shop. He knew the classical repertoire inside out.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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The interaction between the two matters, but to me, each doesn't really exist independently of the other, so I'm not ever faced with a situation where the tone is wrong for the story, or the story wrong for the tone. They are two parts of one thing.
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More gold has been mined from the thoughts of men than has been taken from the earth.
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I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
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What hasn't Barbie been? I don't think I can create an occupation that she has not done yet.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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I was the ugly duckling until I reached puberty.
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I have a few unusual fans, as you can imagine, so I try to protect the privacy of my home life.
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I still think of myself really as a New Yorker.
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I wake up at about 9 a.m., and have a few hours of school or time to relax. Then, I have practice at 2:30 p.m. with my team.
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It's tragic from how far we've come from 'Hope and Change'.
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A lot of movies that come from Israel are about war, but there is such good, funny, rounded writing that comes from the country that I wish more people would discover.
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I want to be read, and I certainly want to sell, but I also see my father's eye from Heaven: 'Always write quality. It doesn't matter if you sell; if it's good, it's good - if you capture the complexity of life.'
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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I feel about 18, but my mind is much more mature now, so it's a perfect combination.
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I had a gun and I had to run and shoot, which is not easy.
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And it makes you wonder—how can a people incapable of selecting their own lightbulbs and toilets possess enough competence to vote for their own rulers and fill out complicated tax returns?
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The smartest thing a filmmaker can do is to become a good editor.
