Jay Chandrasekhar Quotes
Quotes to Explore
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When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
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Everything is global now. It's not London, it's not Spain, it's not Italy - everything is everywhere. So you have to be everywhere, I guess.
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Leaving the old, both worlds at once they view, That stand upon the threshold of the new.
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I never desire to converse with a man who has written more than he has read.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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My father was the proprietor of a music shop on Forty-third Street, where many of the finest performers and musicians of the day would come to shop. He knew the classical repertoire inside out.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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The interaction between the two matters, but to me, each doesn't really exist independently of the other, so I'm not ever faced with a situation where the tone is wrong for the story, or the story wrong for the tone. They are two parts of one thing.
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More gold has been mined from the thoughts of men than has been taken from the earth.
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I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
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What hasn't Barbie been? I don't think I can create an occupation that she has not done yet.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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Progress in civilization has been accompanied by progress in cookery.
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I was the ugly duckling until I reached puberty.
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I have a few unusual fans, as you can imagine, so I try to protect the privacy of my home life.
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I still think of myself really as a New Yorker.
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I wake up at about 9 a.m., and have a few hours of school or time to relax. Then, I have practice at 2:30 p.m. with my team.
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It's tragic from how far we've come from 'Hope and Change'.
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I get this weird, existential crisis when I'm looking through Instagram - and then I'll realize we work in entertainment. We know all the smoke and mirrors.
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I think it’s more to do with economics now. Earlier, one used to wait in queues for hours in the heat, trying to buy a ticket, to go and see Shammiji in Junglee or Dilip saheb in Ganga Jamuna. Whereas now, thanks to the video boom, one gets the stars in one’s bedroom at a snap of one’s fingers. There is no mystique left.
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I've never wanted anybody to like me because I had long hair or short hair, or that they liked the way I dressed or they liked the way I dressed or they liked the way I smile.
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Self-esteem, the kind that comes from finding the sweet spot between a healthy fondness for yourself and healthy self-skepticism, tends to get harder to come by the older we get.
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Falling in love is not an act of will. It is not a conscious choice. No matter how open to or eager for it we may be, the experience may still elude us. Contrarily, the experience may capture us at times when we are definitely not seeking it, when it is inconvenient and undesirable.
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The smartest thing a filmmaker can do is to become a good editor.
