Madeleine L'Engle Quotes
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Suddenly she knew. She knew! Love. That was what she had that IT did not have. She had Mrs. Whatsit's love, and her father's, and mother's, and the real Charles Wallace's love, and the twins', and Aunt Beast's. And she had her love for them. But how could she use it? What was she meant to do?
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Alike and Equal are not the same.
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If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather, it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession but participation.
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Detachment and involvement: the artist must have both. The link between them is compassion. It has taken me over fifty years to get a glimmer of what this means.
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Language is often changed by writers. We speak English today because Chaucer chose to write in the language of the common people, rather than the Latin or French used by those who were educated. James Joyce had an almost equally profound effect on language when he wrote about the inner self, rather than the outer self.
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If our love for each other really is participatory, then all other human relationships nourish it; it is inclusive, never exclusive. If a friendship makes me love Hugh more, then I can trust that friendship. If it thrusts itself between us, then it should be cut out, and quickly.
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Hate was nothing that IT didn't have. IT knew all about hate.
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We do live, all of us, on many different levels, and for most artists the world of imagination is more real than the world of the kitchen sink.
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It has often struck me with awe that some of the most deeply religious people I know have been, on the surface, atheists.
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A great piece of literature does not try to coerce you to believe it or agree with it. A great piece of literature simply is. It is a vehicle of truth, but it is not a blueprint, and we tend to confuse the two.
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You're given the form, but you have to write the sonnet yourself. What you say is completely up to you.