Jay Samit Quotes
Design is how you make your first impression with your consumers. Make sure it is a lasting one.
Quotes to Explore
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The Constitution remains brilliant in its overall design and sound with respect to the Bill of Rights and the separation of powers. But there are numerous archaic provisions that inhibit constructive change and adaptation. These constitutional bits affect the daily life of the republic and every citizen in it.
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I didn't grow up thinking I'd be a decorator. Design is my greatest passion, and it naturally just pulled me down the path. Same with TV. Being famous or having a show was never the motivation. I got a call and was swept up by the challenge of that first small space redesign.
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Borderline embarrassing fact: I used to have a pseudo line when I was seven called Zizzy Fashion. I love clothing, and I would eventually like to design as well as act.
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Bankruptocracy is as much a European predicament as it is an American 'invention.' The difference between the experience of the two continents is that at least Americans did not have to labour under the enormous design faults of the eurozone.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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People who run a ready-to-wear company are businessmen rather than production or design people.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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There are professions more harmful than industrial design, but only a few.
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Great French design is often about unexpected touches.
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Everybody after Fukushima had to reassess the safety of nuclear. When I set out to design a reactor, I knew it had to be passive and intrinsically safe.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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Let's be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I'm staggered by what a boot costs today.
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The year the bus drivers went on strike in Pittsburgh, I was twenty-three and living on the edge of the city in a neighborhood that was on the verge of becoming a ghetto. I had just been fired from a good job as a cartographer in a design studio where I had worked for about four months.
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I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.
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There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
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I have been doing technology foresight for a number of years now on the level of scenario design, primarily. I want to become more rigorous with research methodology and statistical methods. I want to shift from creating clever SF scenarios to being a professional forecaster able to make rigorous predictions.
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Health care is a design problem. Dependence on foreign oil is a design problem. To some extent, poverty is a design problem. We need design thinkers to solve those problems, and most people who are in positions of political power are not design thinkers, to put it mildly.
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I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
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I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.
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The next time you see a 16-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else.
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I wanted people to see me, to change their minds about me.
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Every artist has to make their own statements and they have to live with them.
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I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
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Design is how you make your first impression with your consumers. Make sure it is a lasting one.
