Brian Molko Quotes
Quotes to Explore
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In general, I find that for videos the acting is more realistic.
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Help the man-in-the-street make sense of the bewildering.
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Never fear to deliberately walk through dark places, for that is how you reach the light on the other side.
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It's never as easy to keep your own spouse happy as it is to make someone else's spouse happy.
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It's always fun to immerse yourself in a different time period.
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I'm not the most technical producer, so the weird mixes and blown-out sound happen naturally.
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I think everyone remembers how certain Russian bureaucrats used to work against the Ukrainian opposition; I think it is hard to drop old habits.
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When I was younger, I felt pressure to become someone else once I became successful.
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When I was doing all this acting stuff, all these kids, like, assumed, 'Oh, my God, you're on TV, and you probably have a lot of money.' And I was living in a garage.
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Leaving Egypt and the people I loved so much, and the environment I liked, was definitely worth it, because I also have great love for medicine and science.
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I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
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Have patience. All things are difficult before they become easy.
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The greatest weakness of most humans is their hesitancy to tell others how much they love them while they're alive.
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Always say 'yes' to the present moment... Surrender to what is. Say 'yes' to life - and see how life starts suddenly to start working for you rather than against you.
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Girls have an unfair advantage over men: if they can't get what they want by being smart, they can get it by being dumb.
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Of course it's fantastic to have bands formed in garages, but there is a market for other types of music.
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I had a lot of fun in Cambodia, much more so in Cambodia than Vietnam.
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America is the only country that went from barbarism to decadence without civilization in between.
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I have no ill will about anything.
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You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
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I get this anxiety in cities and places like that. When you grow up in kind of a small town and when you grow up around a lot of green and trees and nature and that sort of thing, sometimes I think it's a little mentally disconcerting to be around this concrete.
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It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.
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I've gotten so many messages I could even get emotional thinking about it, but I've gotten so many messages from young kids all over the country that my story's resonated with them.
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I love being a freak. It's great!
