Brian Reitzell Quotes
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'Lost in Translation' was a year of my life, if not more, and then 'Marie Antoinette' was about three years of my life.
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The thing about me is that I'm a total music freak.
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I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything - it's really similar to making music for a show like 'Hannibal.' It's like cooking; it's just like owning a restaurant.
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I try every day to do something that I've never done before or make some sound that I've never made before.
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When my parents got divorced, I wanted to spend my time laying in the garage listening to the washer and dryer. Loud, immersive, changing. It was music to me.
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Bronze makes the most complex waveforms of any substance known to man. It creates these vibrations that will just crack your skull.
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I've put a lot of records out and a lot of soundtracks, and 'Hannibal' is kind of a special one.
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Indie movies can be a lot more stressful than studio pictures. The stakes are just as high whether you're talking $3 million or $40 million.
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My favourite scores, they have very little music. I don't ever want to notice the music coming in. I just want it to suddenly be there and feel something.
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I work on everything, whether it's a film or TV show - I wouldn't even consider 'American Gods' a TV show. I don't even know what it is.
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NBC has not once given me a music note. I get the freedom to do what I want, and that's kind of amazing.
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I know this as a musician: When you nail something, and you get so much attention for it, you want to strip that away and prove, mostly for yourself, that you don't need that.
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An orchestra can add some class, a historical vibe, but I believe you can get the same emotion from pottery wheels.
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I approach horror music differently than anything else. The very first time I watch an episode, I want to be playing an instrument to it so I can get that shock into the show.