Brian Selznick Quotes
I don’t really feel like the gender of character is what causes someone to identify with them. It’s the situation they’re in, it’s the way they deal with danger, the way that they deal with fears. And so I feel like it’s a slightly larger question in terms of what makes us identify with someone.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
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It's a question of not copying the masters, to look for something, good or bad, for oneself. To enter this liberated state of mind, one cannot copy the others.
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I've gone very far, far away, but my character keeps me close to home.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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But in action, one defies one's character.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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The test of character is having the ability to meet challenges.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I'm not a big traveller.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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Augustine says that you don't understand a nation by the throw weight of its military or the strength of its research universities or the size of its population, but by looking at what it loves in common. To assess a nation, you look at the health and strength of its ideals. And there's no question that the common love in America is freedom.
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I perhaps ought to say that individually I never was much interested in the Texas question. I never could see much good to come of annexation, inasmuch as they were already a free republican people on our own model.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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You shouldn't talk about yourself all the time - most of us aren't for sale. Our books are. Talk about them. It's not a question of whether or not you're fascinating on a personal level - it's that your trivia and trials might not have any connection to the tone, tenor and sense of your books.
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Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
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We're in an illusion about what our role is in world politics and foreign affairs, and our policies are killing and destroying and doing a lot of things that we are not aware of.
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Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
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I don't take it lightly that I brought a life into this world. They're waiting for you every day, these sweet little angels. You have to have time for them to interact on a daily basis.
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She was praying for us -- everybody was praying for us. That's another reason I knew we were safe.
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Political correctness is a poison to our security and defenses. It imposes a willful blindness, both at the macro level when unwilling to engage with radical Islamism or whatever you want to call it - if you're not willing to call it what it is - and at the micro level, at the street level.
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I don’t really feel like the gender of character is what causes someone to identify with them. It’s the situation they’re in, it’s the way they deal with danger, the way that they deal with fears. And so I feel like it’s a slightly larger question in terms of what makes us identify with someone.
