Brian Selznick Quotes
I don’t really feel like the gender of character is what causes someone to identify with them. It’s the situation they’re in, it’s the way they deal with danger, the way that they deal with fears. And so I feel like it’s a slightly larger question in terms of what makes us identify with someone.
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
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I've gone very far, far away, but my character keeps me close to home.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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But in action, one defies one's character.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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The test of character is having the ability to meet challenges.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I'm not a big traveller.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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Augustine says that you don't understand a nation by the throw weight of its military or the strength of its research universities or the size of its population, but by looking at what it loves in common. To assess a nation, you look at the health and strength of its ideals. And there's no question that the common love in America is freedom.
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I perhaps ought to say that individually I never was much interested in the Texas question. I never could see much good to come of annexation, inasmuch as they were already a free republican people on our own model.
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I have done theatre, and I enjoy the process of smaller films a lot more. When I do such films, there are certain things which I get to do which are untapped. The scenes give me the liberty to play and mould the character in accordance to the director's mindset.
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I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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You shouldn't talk about yourself all the time - most of us aren't for sale. Our books are. Talk about them. It's not a question of whether or not you're fascinating on a personal level - it's that your trivia and trials might not have any connection to the tone, tenor and sense of your books.
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Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
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My girlfriend tells me if I'm doing a movie I'm a roller coaster of emotions all the time, but on 'Boardwalk,' because I've done it for so long and I'm so in tune with the character, she says I'm pretty happy most of the time.
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And they looked at her, watched her, wanted to squirt her full of baby juice.
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You know, I think what the American people want more than anything else right now is someone who's just going to look them in the eye and tell them the truth, even some truths that they don't like. And - but they have to believe the person's speaking from their heart and are authentic.
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Before Newfoundland joined Canada in 1949, there was the same sort of talk of young men sacrificing their lives so that a country might grow - that somehow it had been a great nation-building success for Newfoundland.
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The studio system collapsed only when Elizabeth Taylor charged $1 million for Cleopatra.
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I don’t really feel like the gender of character is what causes someone to identify with them. It’s the situation they’re in, it’s the way they deal with danger, the way that they deal with fears. And so I feel like it’s a slightly larger question in terms of what makes us identify with someone.
