Jean Pigozzi Quotes
I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.
Quotes to Explore
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The bad news is, I have worked less than I have liked. The good news is, I can look back on my body of work and feel truly proud of the work I have done.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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I loved my start. I'm proud of my spots. I don't feel embarrassed by anything that I did... It definitely helped me more than hurt me.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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My father is an amazing person. While he was a huge star, he never carried his stardom home and always remained simple and just our father at home. I have four siblings, and we were all very grounded. We lived a very simple life: would go in an auto rickshaw to school, played with normal boys.
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There was one point in high school actually when I was on the chess team, marching band, model United Nations and debate club all at the same time. And I would spend time with the computer club after school. And I had just quit pottery club, which I was in junior high, but I let that go.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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I went to see the film with a regular audience for the first time on Sunday, and was basically swamped.
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It is not worth an intelligent man's time to be in the majority. By definition, there are already enough people to do that.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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The future is keeping you out of the present time.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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I work hard and support myself.
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Over the years, I had nurtured the hope to be able to fly; to handle a machine as it rose higher and higher in the stratosphere was my dearest dream.
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I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.
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When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
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I was frustrated for a long time with my colleagues in the business school world and with so many management authors who didn't really see themselves as innovators. They were glorified journalists.
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In the '80s and '90s, China went through a giant change. It needed all resources. At the time, I was in the recycled paper business, and I realized the China market was a blank slate.
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It's rare that I'm not at work on some sort of craft project. I've often enthused about the need to make things; how it employs a unique set of muscles - physical, intellectual, spiritual - that I can attain a state of flow when making something that I almost never can when writing.
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The whole idea that what is not normal should be kept secret – that's really distasteful to me.
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I can't actually believe how good 'The Sopranos' is. I genuinely am dumbfounded by it. It's like when you realize how good The Beatles are, and you think, 'How did they do that?'
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Now that I have seen I am responsible, faith without deeds is dead.
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When I speak to a victim or their family, people who were left bruised and battered by someone, and can give them some small relief, I know I'm winning in some small way, and I'm part of a process that sometimes works.
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I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.
