Jean-Michel Jarre Quotes
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Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
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Music is the backbone of my shows.
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I would say to anyone starting out that if their priority in life is happiness, then don't be a musician.
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CDs are not as good as vinyl, and you buy one in the supermarket along with the yoghurt.
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If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
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I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
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At the time, 'Oxygene' was considered a totally 'far out' concept... What was 'in' at the time was disco, hard-rock, and the early days of punk... and moreover, 'Oxygene' was instrumental. And I was French!
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When I heard Edward Snowden's story, it reminded me of my mother in a strange way. She was in the French resistance from early on, 1941. At that time, the Resistance were considered troublemakers - even traitors - in France.
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As a musician, I have always strived for my albums and live performance to render a sound as close as possible to perfection.
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I don't necessarily like anniversaries that much.
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What is important to me is that the world understand that the problems of the Dead Sea concern not only residents of the region but humanity.
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Most of the time, when you are in the studio, you are revealing yourself; you're a bit naked. You can express your weaknesses, your awkward way of approaching sound. Sharing these intimate moments is like inviting somebody into your private room.
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From the outside, being an artist seems like a dream life, but there are much darker aspects to it.
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We should never forget that in the smartphone, the smart part is us creators.
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This project, 'Electronica,' is about working with people who are a strong source of inspiration to me.
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Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.
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The whole 'Electronica' project is about the ambiguous relationship we have with technology: on the one side, we have the world in our pocket; on the other, we are spied on constantly.
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Music, photography, media, film - it's all going to be free on the Internet. We have to accept it.
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When you think after 25 years of Mao, Chinese people had no idea about western music or even western culture. They had no idea about James Dean or the Beatles or Charlie Chaplin, modern music or modern cinema.
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I feel very privileged to have played China, and the pyramids, all these fantastic places, but it created a kind of smoke curtain between the audience and me as a musician.
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I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.
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When I first heard Kraftwerk, I thought they were an American band singing in German.
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Dance fascinates me, and it is perhaps the most enriching audio-visual realm for a musician. Film-making also fascinates me.
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The paradox is that Mark Zuckerberg, Steve Jobs, and all the tech giants are bigger fans of music than some of the executives working at major record companies.