Brie Larson (Brianne Sidonie Desaulniers) Quotes
I have no problem talking about how hard it's been, how broke I've been, and how broke I was not even that long ago.
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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Middle school was probably my hardest time. I was trying to fit in for so long, until about junior year of high school when I realized that trying to fit into this one image of perfection was never going to make me happy.
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Scientists have proven that it's impossible to long-jump 30 feet, but I don't listen to that kind of talk. Thoughts like that have a way of sinking into your feet.
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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I had to let my ego go a long time ago.
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The markets are much more interested in America's long-term trajectory than they are in feeling that there is an acute short-term crisis.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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I guess I never had a better experience than working on The Long Riders, and at the same time, I never had a harder time than what I did making Southern Comfort.
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'But,' say the puling, pusillanimous cowards, 'we shall be subject to a long and bloody war if we declare independence.' On the contrary, I affirm it the only step that can bring the contest to a speedy and happy issue.
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In fiction, it's a big challenge to keep the reader in one place for so long.
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Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
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I feel like I know so little, and I just hope I get to live so long. I came to puberty late; it's all been late.
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I have long admired Univision - a pioneer in the industry - and recognized the tremendous potential and influence of the burgeoning U.S. Hispanic population.
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I have often wondered what it is an old building can do to you when you happen to know a little about things that went on long ago in that building.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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Being a father is the most important thing, if you ask me. It changed me as a person and gave me an all new life.
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I think intellectuals should be fascinated by my rise, what it reveals about the time. My critics are irrelevant, though. It tells how much I'm getting to them by how vitriolic they are. They refuse to deal with the ideas. But reviews don't reflect anything; the books are selling. A friend told me, 'The attacks make you.'
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Accepting Syrian refugees into the United States is an emotional issue.
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It's very difficult when you're in something to be objective enough about the material to just see it for what it is. You either read too much into it and become too passionate about it, or you're disappointed.
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I have no problem talking about how hard it's been, how broke I've been, and how broke I was not even that long ago.
