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About 25 years ago, my wife and I bought Kenny Loggins' house in Santa Barbara. It was way out of our price range, but we said, 'Screw it, let's go for it.' We've raised our family there. We overextended ourselves at the perfect time in our lives, and it worked out for the best.
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One thing I want to do is create something called Ring Around Congress. It would be a state deal and also a national thing, where the kids, as a field trip, will go and join hands around Congress and give the politicians report cards on how they're voting on hunger issues.
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There is one particular argument that I call our 'ancient war.' If it could be summed up in one phrase, it would be, 'You don't get it. You don't understand what it's like to be me living with you.' There is such truth in that statement. None of us can really appreciate what it is like to be the other person, what that point of view feels like.
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I'm a chairperson for 'No Kid Hungry', a campaign for poor American children.
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Well, I'm not a big sports fan.
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My brother's my teacher, my mentor, and we both learnt all the acting basics from our father.
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My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.
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I don't really care about having more fame than I have.
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I don't know how it is for women or for other guys, but when I was young and in my 20s, I had a fear of marriage.
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I consider myself pretty lazy, but I look back and check out the stuff I've done, and I say, 'God, that's a lot of stuff for a lazy guy.' It's a paradox, I suppose, being both things.
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As an actor, a role can be a great excuse not to be in shape. I mean, you wouldn't want to see the Dude with a six-pack, so you eat that Haagen-Dazs. My weight goes up and down.
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My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
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I've gone out of my way to not take baggage with me from film to film.
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I can see how a relationship with a writer would be an easy thing.
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I do a lot of ceramics.
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I kind of quit surfing when I got out of high school, but then a few years ago I started to take it up again. I'm not an expert by any means, but it's so wonderful to get out in the ocean and get a different perspective on things.
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What I learned most from my father wasn't anything he said; it was just the way he behaved. He loved his work so much that, whenever he came on set, he brought that with him, and other people rose to it.
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I like people.
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Nowadays it seems more and more like the 'business' in 'show business' is underlined, and there are campaigns, and it's all part of getting people in to see the movies.
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Imperfection and perfection go so hand in hand, and our dark and our light are so intertwined, that by trying to push the darkness or the so-called negative aspects of our life to the side... we are preventing ourselves from the fullness of life.
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Making films is sort of like you're pulling off a magic trick. It's sort of like an illusion. It's not real but you want it to appear real, and all kinds of things go into that, from the clothes you're wearing to the make-up, to the light.
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Myths are wonderful tools that we've had, oh, for eons now that help us navigate the situations we find ourselves in.
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The first thing that pops into my mind when it comes to playing cowboys is my father, Lloyd Bridges. When I was a little kid, I loved to dress up like a cowboy - put on the boots, hat, and walk around. He was in a lot of westerns, and my dad loved to ride.
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Unlike a lot of actors, my father encouraged all his kids to go into show business.