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I just find my creativity manifesting a bunch of different ways.
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Words fall short sometimes.
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My father was so in love with showbiz, all the different aspects - what we're doing here, making the movies, everything about it.
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Unlike Texas Rangers, we actors don't have a stop date, so I don't know about retiring. Sometimes I want to stop acting, but then you get a good script!
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I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
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I have a cycle that is not particularly cool, but it's a cycle: trash myself to reward myself.
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Women are so - maybe this is just a male perspective, but for my money, they're so connected to life in a way that men aren't. They're able to give birth, have children, and it's literally a part of them. They perhaps have a stronger capacity for caring than males.
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Sticking with a marriage. That's true grit, man.
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As far as 3-D goes, I don't know if that will stay very long because things are moving so rapidly.
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I first got involved with ending world hunger, and I got hip to the facts about it - what a huge problem it was and how it wasn't a matter of not having food or not knowing how to end it, but it was a matter of creating the political will.
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The Oscar nomination is great. It's a great pat on the back. And I like that.
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Just getting something in the books that makes sure people with mental illness and terrorists can't get guns would be a good idea.
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As far as Beau is concerned, we're on the same team, we root for each other. If my parts are slightly more attractive, or are perceived that way by others, he's very content.
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It's interesting to explore the darker side, but the hero piece is interesting as well. It's like choosing between comedy or drama. I like to do both.
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You know, ballet might be too formal of a title for the type of dance I do, but I love to dance.
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The hoopla with all the award season is kind of mind-boggling. It kind of puts you on your heels.
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A fella who accepts himself and is relaxed into who he is - that appeals to people.
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I'm not locked into playing one guy.
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Sometimes I think of movie acting as advanced pretend.
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I like to know where the camera is.
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I love westerns, I'd love to make more of them.
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You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
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I'm drawn to the path of least resistance.
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I've had really great experiences working with first-time directors. They come at filmmaking with fresh ideas. I've been very lucky that way.