Jeff Koons Quotes
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Abstraction and luxury are the guard dogs of the upper class. The upper class wants people to have ambition and gumption because, if you do, you will participate and you'll move through society into a different class structure.
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Feelings are at the basis of all ideas. First you have feelings, and then, through those sensations, it develops into ideas.
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I would think that to people like my father, and the people of his generation, Popeye is like a male priapist. So if you think in ancient terms, he would have a harem, a symbol of male energy.
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As an artist, I've always wanted to participate in the dialogue of art with other artists.
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I don't believe that artists really are interested in money. That's not the motivation for art.
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I always liked Disney films. To this day I think 'Bambi' is great.
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I love the gallery, the arena of representation. It's a commercial world, and morality is based generally around economics, and that's taking place in the art gallery.
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Pretty mundane closet, but a lot of ties. And I tend not to throw anything out, so I have a lot of clothes from all times from my life. I can be a little sentimental with things like that.
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I was trying to make art that my son could look on in the future and would realize I was thinking about him very much during these times... that he can look and see my dad's thinking about me, but to also embed in these things something that is bigger than all of us.
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If I physically made every work myself, I would get only one or two paintings done a year, if that.
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A lot of times, my work is looked at very much on the surface. It's very easy to just want to put something in a box - to say, 'Oh, since this work deals with surface desires at times, this is about consumerism.' And of course, the base of the work is... not about economics at all.
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I try to make pieces that are durable. One of the reasons that I work in steel is durability.
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I'm trying to go through moral crisis myself to the highest degree that I can, to remove moral crisis from the visual vocabulary of the viewer, so that when somebody sees my work, the only thing that they see is the Sacred Heart of Jesus
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Every day I wake up and I really try to pinch myself to take advantage of today and to use that freedom of gesture to do what I really like to do.