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I believe that art has been a vehicle for me that's been about enlightenment and expanding my own parameters, to give me courage to exercise the freedom that I have in life.
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I think art teaches us how to feel, what our parameters can be, what sensations can be like; it makes you more engaged with life.
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I don't believe that artists really are interested in money. That's not the motivation for art.
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I always liked Disney films. To this day I think 'Bambi' is great.
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Pretty mundane closet, but a lot of ties. And I tend not to throw anything out, so I have a lot of clothes from all times from my life. I can be a little sentimental with things like that.
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As an artist, I've always wanted to participate in the dialogue of art with other artists.
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I love the gallery, the arena of representation. It's a commercial world, and morality is based generally around economics, and that's taking place in the art gallery.
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When people make judgments they close all the possibility around them.
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I was trying to make art that my son could look on in the future and would realize I was thinking about him very much during these times... that he can look and see my dad's thinking about me, but to also embed in these things something that is bigger than all of us.
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I'm always working. If I'm not in my studio I become quite nervous.
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If I physically made every work myself, I would get only one or two paintings done a year, if that.
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I try to make pieces that are durable. One of the reasons that I work in steel is durability.
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Every day I wake up and I really try to pinch myself to take advantage of today and to use that freedom of gesture to do what I really like to do.
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I'm trying to go through moral crisis myself to the highest degree that I can, to remove moral crisis from the visual vocabulary of the viewer, so that when somebody sees my work, the only thing that they see is the Sacred Heart of Jesus