Jeff Koons Quotes
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Even in making objects, as soon as you start to get the feeling that some form of craft is coming into place, you realize that everything is wrong. Because craft is really just a fetish. It is wasted energy. It's about the object, some space which has nothing to do with the human.
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Art was something I could do better. It gave me a sense of self.
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My favorite activity is to be with my family.
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I like my drawings to be direct. I don't generally work on them for too long, but that doesn't mean that they are not works in their own right.
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A lot of my work is about sales. And it was about being independent from the art market.
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When I view the world, I don't think of my own work. I think of my hope that, through art, people can get a sense of the type of invisible fabric that holds us all together, that holds the world together.
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I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done them myself.
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The Whitney is a museum that has a great rapport with younger artists and the community.
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I’m basically the idea person. I’m not physically involved in the production. I don’t have the neces-sary abilities, so I go to the top people, whether I’m working with my foundry - Tallix - or in physics. I’m always trying to maintain the integrity of the work.
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From the time that I was a child, I loved interacting with people. I would go around door-to-door and sell candies and gift-wrapping paper, and it was a great way to interact with people and communicate with people.
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Art to me is a humanitarian act and I believe that there is a responsibility that art should somehow be able to effect mankind, to make the word a better place.
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I think about my work every minute of the day.
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I believe that my art gets across the point that I'm in this morality theater trying to help the underdog, and I'm speaking socially here, showing concern and making psychological and philosophical statements for the underdog.
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Art helped give me confidence.
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I've always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That's what I've always done.
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It's not about finding relevance or perfection or imperfection in objects, but it's that you can accept yourself and then go out and accept others.
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There are certain artworks that I respond to, artists that I respond to. It's an intellectual reaction but it's also a biological reaction. And the excitement that the work can generate - how it makes you feel about not only your intellectual possibilities but your physical possibilities in this world. How it feels to be alive!
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I realised that people respond to banal things. They don't accept their own history, not participating in acceptance within their own being.
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I try to educate people about materialism through my work. I try to show them real visual luxury.
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I always like to believe that my work is about the expansion of the possibilities of the viewer. So if you have a sense of a heightened situation where there's an excitement, a physical excitement and an intellectual stimulation, there's just this sense of expansion. Because that's where the art happens. Inside the viewer.
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For me, art really starts with acceptance, self trust. Wherever you come to with art, it's perfect. You don't have to come with anything. What you bring to something is the art. That's where it's found. It's found within you.
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I'm interested in power.
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I remember being an art student and going to the Whitney in 1974 to see the exhibition of Jim Nutt, the Chicago imagist. It was then I transferred to school in Chicago, all because of that show.
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I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.