Jeff Lemire Quotes
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
Quotes to Explore
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I am tired of women playing action heroes like men, because they are not men. But sometimes they are written like men.
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I particularly like Hershey's chocolate - the kind which has almonds in it.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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As a very young girl, I understood that the interior activities of the home are as significant as the exterior activities of society.
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You don't want to put all your lead on the target. You want to leave some arrows in the quiver.
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Sir, I see a lot of documents in my day-to-day business, and I can't tell you every document that I've seen. It may have passed across my desk. It may not have passed across my desk. I truthfully cannot answer that question, other than to say I don't remember.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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It would be nice to be on the charts again, nice to be recognised.
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It took me just three months to pick up Hindi. I guess I'm a fast learner when it comes to languages.
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When confronting most crises, whether historic or contemporary, aid agencies generally muddle along on a case-by-case basis. They weigh insufficient information, extrapolate somewhat blindly about long-term pros and cons, and reluctantly arrive at decisions meant to do the most good and the least harm.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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Every day is like Halloween or Christmas eve for me. I go to bed, and I'm so excited to get back to work. I'm very lucky that I have a career like that 'cause not many people do.
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The strips about the military do seem to provoke moving and thoughtful responses. It's nice when the strip resonates, but more importantly, I need to know when I'm getting something wrong. The last thing I want to do is contribute to the suffering that wounded warriors already endure.
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We must dare to think 'unthinkable' thoughts. We must learn to explore all the options and possibilities that confront us in a complex and rapidly changing world.
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I have a good mind but I don't like to bore anyone with it.
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I've always wanted to be an actress as well as a fashion designer.
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I remember once being told by a casting person, years ago, that I shouldn't pursue a career in the business because of the color of my skin. The fact that I remember it today means it stuck with me. I thought that was really stupid advice and advice nobody should ever give someone.
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I want Bolivians to support their president.
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I'm creative in my own life. I'm creative when I step out the door. I'm creative when I pick up a glass. Do you know what I mean? I'm one of those dreadful people who probably should have been born at the end of the 19th century and been in cafe society. That would have suited me fine.
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Bloodshed kept pace with iron production: in essence, the entire paleotechnic period was ruled, from beginning to end, by the policy of blood and iron. The brutal contempt for life was equalled only by the the almost priestly ritual it developed for inflicting death. Its 'peace' was indeed the peace that passeth understanding: what was it but latent warfare.
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On one hand, it seems like I've waited a long time for this.
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We must take precautions against being prematurely honed sharp--since at the same time we are being prematurely honed thin.
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Life is never as long as we want it to be, and wasted time can never be recovered.
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I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
