Wassily Kandinsky Quotes
Their things works of Die Brücke-artists must be exhibited. But I think it is incorrect to immortalize them in the document Almanac of our modern art (and, this is what our book ought to be) or as a more or less decisive, leading factor. At any rate I am against large reproductions of Die Brücke paintings in The Blaue Reiter Almanac.
Quotes to Explore
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
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Most actors can't make any kind of living.
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We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.
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You could put all of Rev. Jeremiah Wright's angry sermons on to one loop. You could put that loop up on the big screen at Radio City Music Hall and let it play there 24 hours a day, seven days a week and Barack Obama will still emerge as the next president of the United States.
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In capitalist history, invasion and class struggle are not opposites, as the official legend would have us believe, but one is the means and the expression of the other.
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The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.
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My dad always said that hard work beats talent when talent doesn't work hard enough.
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Keep your energy levels high by adding bananas and egg whites to your diet.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
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Your belief system tends to be a function of how you were raised. Being raised in the Midwest and in a relatively conservative household, my views were shaped by my upbringing, by my Christian faith.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.
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I am a self-critical perfectionist.
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I took a whole stunt course and pretty much got certified as a stunt driver. It's ridiculous how easy it is once you understand the car and know how to do it.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.
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A really well-made buttonhole is the only link between Art and Nature.
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Disneyland is something that will never be finished. It's something that I can keep developing. It will be a live, breathing thing that will need change. A picture is a thing, once you wrap it up and turn it over to Technicolor, you're through. Snow White is a dead issue with me. But I can change the park, because it's alive.
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When I'm on the court, I feel all problems go away.
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When we talk about the healthcare crisis in America we've got to also be talking about the dental crisis and how to address it.
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Doesn't matter if I'm right or wrong - if I'm hungry or hot, I'm probably arguing with someone about something. Especially if that someone is rude.
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Their things works of Die Brücke-artists must be exhibited. But I think it is incorrect to immortalize them in the document Almanac of our modern art (and, this is what our book ought to be) or as a more or less decisive, leading factor. At any rate I am against large reproductions of Die Brücke paintings in The Blaue Reiter Almanac.
