Jeffrey Donovan Quotes
If someone grabbed me, I'd probably be able to choke them out in about eight seconds.
Quotes to Explore
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I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
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It's nice to see different dimensions of a character. A love interest and family life are always, I think, important in creating layers and textures.
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Success is not like a cake that needs to be divided. It's more like a heap of stones - a cairn. If someone is successful, they add a stone to the cairn. It gets very high and can be seen from all over the world. That's how I see it.
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I've been strongly opposed to racial discrimination and anything like that my whole life. Maybe it's thanks to my parents and where I grew up and that sort of thing, but particularly with gay and lesbian citizens, I've seen that people can be cruel, and it's very distressing.
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I firmly believe that the mission of religion in the 21st century must be to contribute concretely to the peaceful coexistence of humankind.
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Ah, I am thinking people put more in their prayers than was ever put in them by God.
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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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The great thing in life is efficiency. If you amount to anything in the world, your time is valuable, your energy precious. They are your success capital, and you cannot afford to heedlessly throw them away or trifle with them.
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You have to take criticism with a grain of salt because you're never going to please everybody.
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I was very aware of Jeff Buckley. My brother actually bought me The Mamas And The Papas and Jeff Buckley for my birthday when I was in my early teens.
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I'm in a really nice position because I can be selective with the modeling jobs that I do and just work with brands I'm passionate about. The two worlds balance out nicely for me because modeling is so social - it has travel, you meet people, it's extroverted. Whereas painting is very solitary - when I paint, I'm kind of in my own world.
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Native trees are so important to our ecosystem.
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Great perils have this beauty, that they bring to light the fraternity of strangers.
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As an impoverished student I used to spend days out in Selfridges, nibbling on samples of free cheese and dousing myself with scent in the perfume department.
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Fame has also this great drawback, that if we pursue it, we must direct our lives so as to please the fancy of men.
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Do we fear terrorism so much that we throw out our Constitution, and are we unwilling and afraid to debate our Constitution?
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We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
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The truth is I am not a very hands-on political wife; I don't get involved in day-to-day Downing Street life. They don't need me interfering, but in the evening, we will talk about each other's day. I try to stay out of the Westminster village. There are times when I will be surprised and curious about what's been announced.
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Our approach to medicine is very 19th-century. We are still in the dark ages. We really need to get to the molecular level so that we are no longer groping about in the dark.
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I hate it when theater people go on about professionalism - aren't they boring? I try to be as unprofessional as possible. And I'm a little bit politically incorrect.
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My sister and I were born in Chile and raised in the States, and my little brothers were born in the States and raised in Chile after my parents moved back in 1995.
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I think Hitchcock had a thing about hills: think of the house on the hill in 'Psycho.' Then, in 'Vertigo,' Scottie is forever traversing the city, going downhill all the time as he goes deeper and deeper into himself. It's as if Hitchcock is using San Francisco as a psychological map.
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If someone grabbed me, I'd probably be able to choke them out in about eight seconds.
