Jeffrey Jones Quotes
My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
Quotes to Explore
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The main objective of our cinema is to entertain. If you can pass on a message at the same time, that is fantastic, but if the audience does not feel they are going to be entertained by the film, they are not going to watch it. There are many examples of very responsible and great films that are being made, but nobody goes to watch them.
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I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.
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When I was a kid, all I ever wanted was to be famous.
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Plus, I am paranoid by nature. I need to be in control.
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I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
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I don't believe we have defined health care reform very well in this country.
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Investment in early education is not a Liberal or Conservative idea. Nor should it be decided along party lines.
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The one thing I am now sure of is that if there is such a thing as destiny, it is a result of our passion, be that for money, power, or love. Passion, for better or worse.
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I work with gold that holds our past and diamonds that see the future and rubies that long for love. It's just a way of telling a story.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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Those who get stuck doing the same things for too long are bound to get left behind the strong who press on and re-invent themselves.
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Nobody is going to hand you a music career.
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I used to hate working out - until I learned how to do it properly.
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First scenes are super-important to me. I'll spend months and months pacing and climbing the walls trying to come up with the first scene. I drive for hours on the freeway.
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Actually, I don't think there's anyone that represents the artists, except the artists themselves.
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I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
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I still don't know what Episcopalian means.
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I've been in a New York City-based cabaret for the past seven years called The Citizens Band. It's possibly one of the most brilliant things I've ever been involved with.
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I think that we have a great opportunity to impart our wisdom and our knowledge and our experience to this younger generation. It may be different times, but experience transcends time, and wisdom transcends time.
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My work is on the one hand laboured, and on the other completely happenstance and intuitive. But that's the swish in the work, I think. It's really important to me that the work isn't just sitting on top of something, that the materials are woven together - that they are recognisable and from the world.
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Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.
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One of my most memorable moments serving the community was after I built the Live Civil Playground in Haiti, and I visited an orphanage and gave away shoes to all the kids. I also sat with them and helped them design their shoes. The smiles on their faces were priceless.
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I think I'd like to be best friends with Björk, because I'd like to pick her brain a lot all the time and just have weird times together.
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My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
