Jeffrey Lurie Quotes
You can always argue you're never good enough until you win the Super Bowl. And even then, you're going to lose players, and you're not good enough then, either.
Quotes to Explore
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Though we may know Him by a thousand names, He is one and the same to us all.
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There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.
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People just decided I was an R&B artist because I'm black.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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Poetry is the art of uniting pleasure with truth.
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I've always been clear - I feel good at Chelsea. Every week, I repeat the same on PSG. It's a big team but an inferior league. I don't want to return to France, because I've won everything over there - the league title, cup, best player, best young player.
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I'm involved in some action scenes, so they'll train me for that. I'll be working with my acting coach to prepare for my character.
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I loved 'Dirty Sexy Money.' That didn't have a long enough shelf life. I would've liked to explore that character and play with that cast longer. That was a lot of fun to shoot.
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Our deals and performance speak for themselves. And whoever doesn't feel comfortable investing with us will not.
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I was sitting alone in a grim mood – furious that the press attacked Senator Edwards on the price of a haircut. But it inspired me – from now on, all haircuts, etc., that are necessary and important for his campaign – please send the bills to me... It is a way to help our friend without government restrictions.
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And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.
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My grandma would say if someone else calls you a hillbilly, you might need to punch them in the nose. But if we call ourselves hillbillies, it's a sort of a term of endearment, something that we have co-opted.
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I do find walking is fundamental to my creative process.
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When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
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I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.
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George Clooney had the web of celebrity from television and doing 'ER,' and he's able to parlay that into films. God willing, I'll be up there in a few years.
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People don't have a good intuitive sense of how to weigh new information in light of what they already know. They tend to overrate it.
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An economy genuinely local and neighborly offers to localities a measure of security that they cannot derive from a national or a global economy controlled by people who, by principle, have no local commitment.
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I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
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He's been a good player in this league for a long period of time and I've always enjoyed watching him play. For me, I didn't know what was going to happen. Obviously, things were going on and he didn't feel like he wanted to be here. I didn't pay much attention to it.
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Once you are in the orbit of your destiny, weightlessness is the only result.
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There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.
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You can always argue you're never good enough until you win the Super Bowl. And even then, you're going to lose players, and you're not good enough then, either.
