Jeffrey Osborne Quotes
I think I was affected quite a bit by musical and creative influences that go all the way back to my childhood.
Quotes to Explore
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I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.
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There's an interesting contrast between born Catholics and converts. Converts are often much more rule-directed. Catholicism isn't something that they breathed in from their childhood, so they think that if you don't toe the line on abstract doctrine you can't be part of the Church.
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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The childhood poverty of both my parents and their minimal education did much to influence me and my two younger brothers in our education and career choices. One brother became a dentist and the other, a professor of anthropology with a Ph.D. degree.
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Looking at acting, in the movies or the theater, and the way I like to look at it, it's just an extension of childhood play... Kids play and imagine in a very intense fashion and they don't need any director telling them, 'You really have to believe in it.' They believe in it completely.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
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I was on the beach every summer. That was the pleasant part of my childhood because we were right by the sea. We'd take a picnic, and I'd spend hours in the water until I turned blue. You couldn't get me out of there.
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My dad is Irish. I spent my childhood going back and forth between Ireland and America.
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A twenty-one-year-old writer is likely to be inhibited by a lack of usable experience. Childhood and adolescence were something I knew.
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The older I get, the more I appreciate my rural childhood. I spent a lot of time outdoors, unsupervised, which is a blessing.
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I had a free-range childhood. We lived in town but with a cow, chooks, bees, and multiple veggie gardens so we could live self-sufficiently.
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When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
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Spontaneity, the hallmark of childhood, is well worth cultivating to counteract the rigidity that may otherwise set in as we grow older.
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A lot of my childhood memories involve walking home in floods of tears. At that age, feeling unpopular is difficult to handle.
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I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
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I'm mostly influenced by life, what's around me, and my own childhood.
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Don't you wish you could take a single childhood memory and blow it up into a bubble and live inside it forever?
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I have no other pictures of the world apart from those which express evanescence, and callousness, vanity and anger, emptiness, orhideous useless hate. Everything has merely confirmed what I had seen and understood in my childhood: futile and sordid fits of rage, cries suddenly blanketed by the silence, shadows swallowed up for ever by the night.
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She and my uncle were very sociable and would have a lot of people over at night to play cards or whatever. The high spot of those evenings was when we kids got dressed up to do a skit or something to amuse the guests. I loved it.
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I believe wealth should be in the hands of those who know how to create more wealth.
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A romantic or classical view of the French approach would have been to say, 'It's a French company; let no one attack it. Let's block any merger. But the reality is Alcatel-Lucent is not a French company; it's a global company. Its main markets are China and the U.S. Its ownership is foreign; most of its managers aren't French.
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I think I was affected quite a bit by musical and creative influences that go all the way back to my childhood.
