Jennie Finch Quotes
Quotes to Explore
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This is the ultimate con game - I'm having fun and people pay me to do it.
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I am an American citizen born in Kuwait of Egyptian parents. I grew up in Great Britain, Malaysia, and Egypt and have lived in the United States since 1965, when I was seventeen.
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Montenegro belongs to a rare number of countries that have managed to make progress on every internationally recognisable indicator.
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I am fighting vigorously for less spending, less waste and limited government. I strongly believe that the more government grows, the less freedom Americans have.
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I married him because he told me it was the only way he could protect me. If we were just manager and client, my family could do whatever they wanted to get me back, but if I was his wife, they couldn't.
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The IT bubble is the IT bubble, and of course, we became a company that contracted dramatically in 2001 and 2002: we basically came down by 45,000 people - a dramatic ramp-down.
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The French complain of everything, and always.
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I don't expect to live forever, but I do intend to hang on as long as possible.
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I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
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I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
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I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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The Japanese bureaucracy is unique. It is also very powerful, although it is now the object of so much criticism. Many of Japan's brightest made it a pillar of strength and continuity.
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I've done a lot of plays before where I had to do a New York accent, but never a Philly one before. They do the rhotic 'r' - where you say the 'r' - where most New Yorkers don't.
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I grew up playing in youth orchestras, so they were my most treasured memories, so to be in front of an orchestra playing my own material would be incredible.
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I don't really have any gimmicks. I don't actually do anything that's strange. I don't even wear weird things.
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When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.
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I'm a happily married man and I think to get married you have to be optimistic.
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I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
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It's just I hate reading the description 'offbeat' about a character in a script, because I, along with Seth Green, Jamie Kennedy and a few others, have cornered the market on 'offbeat.'
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I don't want to go out there and show up. I hate losing. Everybody hates losing. But I hate losing.
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I used to hate being different. I used to cry. I wanted to be blonde-haired and blue-eyed like all of my girlfriends. My mom and dad would feel so badly - 'No, it's OK. You'll be happy you're different later.
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It's hard to juggle being a businessperson with being a creative person. You have to organize yourself - PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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I hate losing.
