Jennifer Aniston Quotes
When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them?
Quotes to Explore
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A trade war would be a disaster for the world. It's very easy to slip into a trade war.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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Giving people some kind of control over what they do is important. Human beings don't do their best work under conditions of control.
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If you are in this business long enough, you hear about a thousand things that are going to kill you. Open source? Yeah, we are not dead yet. Cloud? That's not new; it's a new name.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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The main dangers in this life are the people who want to change everything... or nothing.
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My kind of, like, life goal is to help train students to be good people as well as good scientists. That would be my dream.
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I spend time with people who are movers and shakers, and others who are just friends I really care for. Some of them are rich, some of them are poor. I couldn't care less. I'm not a snob.
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I like to think of myself as classy.
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I love New York. Love it.
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Gran Metalik was a student in CMLL when I was there as a teenager, and I was in main events and big time matches, so I used to see him in the gym all the time.
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I'm very, very focused on my children. In fact, I'm very religious about having breakfast with them every morning, having dinner with them every evening, and spend all the weekends with them that I don't work. So as long as I'm not traveling, I'm always with them and I go to their soccer and tennis matches.
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You can't play a guy who's just a snake, because what do you draw on?
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Never fight an inanimate object.
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We know that communication must be hampered, and its form largely determined, by the unconscious but inevitable influence of a transmitting mechanism, whether that be of a merely mechanical or of a physiological character.
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So, it looks like we rebuild the village and blow it apart a few more times.
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All our forms are unique - movies, music and literature - and you have to leave the person who is doing it to do their best.
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When I was at Brown, I wanted to write the great American novel, but I was too scared to take a creative course. I signed up for one, got in, and just didn't have the courage to go. I was a tremendously shy person, almost pathologically shy. The thought of peers critiquing my work - oh, God.
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I did 'Philadelphia' and 'What's Eating Gilbert Grape?' at the same time. It's kind of wonderful to do it that way, because you get very hyper-focused.
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The Harley's got a little too much torque when it comes to jumping.
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In school, I really felt like I didn't fit a type. I think everybody had a hard time putting me in a category. They all sort of realized, 'Hmm, you don't really look like a soprano. You're not really a character belter.'
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Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.
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When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them?
