Jennifer Jones Quotes
The museum was our drawing card, along with our small-town features, so we didn't need to do anything else to get him here.
Quotes to Explore
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My fiance likes drawing on napkins, which I save. I'm always scared I'll get caught taking a linen napkin from a restaurant!
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
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It's great, I guess, when your paintings are hanging up in a museum.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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My family always encouraged my drawing ability. Kids in school who teased me about my reading would get out of their seats and stand behind my desk as I worked and go, 'Wow, you can really draw.' Later, I earned a degree in Fine Art and got a Ph.D. in Art History.
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People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
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England is obsessed with where you came from, and they are determined to keep you in that place, be it in a drawing room or in the gutter.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.
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I was quiet, a loner. I was one of those children where, if you put me in a room and gave me some crayons and a pencils, you wouldn't hear from me for nine straight hours. And I was always drawing racing cars and rockets and spaceships and planes, things that were very fast that would take me away.
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I don't get along much with myself.
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The music is at this weird intersection of dance music and indie music. It's not quite dancey enough to do a full-blown DJ set, and it wasn't quite rock enough for a rock band. But I guess it's what makes us unique - drawing from a lot of different influences.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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.. I reprobate the mechanically systematic approach of drawing.. ..so generally diffused. I think it can produce nothing but manner and sameness.
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I am very bad at drawing. Seriously. I can draw shoes. That's about it.
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Paris, as modern city is beautiful in its perfection, but perfection means death and decay. Thus interfering with the process of dying is a crime against perfection: it stands in the way of a higher perfection.
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It has long been believed that a man who gets bald across the front of his head is a thinker while a man who gets bald on the crown of his head is a lover. It follows, certainly, that a man who gets bald all over his head thinks he's a lover.
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I love vinyl, you know? To me it has depth, warmth, it's the best way to really sample.
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You can lose people without them dying, and I have, from moving, from traveling. The emotion is real, it just doesn't actually have to do with death. I'm singing about what I know, and it's a song about longing for somebody who's disappeared in your life.
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Continuity is at the heart of conservatism: ecology serves that heart.
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The museum was our drawing card, along with our small-town features, so we didn't need to do anything else to get him here.
