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Poetry taught me a great deal about language and images, but when it came to plotting, I was stumped. It's been very much a learn-by-doing thing for me.
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At the heart of every story is conflict - whether external or internal, make it a good one, and remember that this problem is going to shape your character, leaving her forever changed.
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In all honesty, I didn't love reading when I was a kid. I'd rather be running around in the woods or doing my best to scare the pants off all the children in the neighborhood by pretending my house was haunted or making them play Bloody Mary in the bathroom.
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I just try to write the best story I can, a story I would love to read, and hope that readers feel the same.
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I have a pretty open mind about supernatural stuff - I do believe that there's more to this world than what meets the eye.
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One exercise I always do when I'm getting to know a character is ask her to tell me her secrets. Sit down with a pen and paper, and start with, 'I never told anybody...' and go from there, writing in the voice of your character.
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My grandmother was a psychiatrist and had shelves full of medical books - I was constantly sneaking looks at some of those. I was fascinated by the descriptions of illnesses and diseases.
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I studied poetry in college and for a year in an MFA program. As time went on, my poems got more and more complicated. What I was really trying to do was tell stories.