Matthew Tobin Anderson Quotes
One of the series I like is D.M. Cornish's 'Monster Blood Tattoo,' in which he creates a whole language. Kids who are reading that are building a language in their heads. There's no real cognitive difference. I think kids are excited by language, and they're not always given credit for that.
Quotes to Explore
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I am really curious about life, about why we are all here. I notice my skin is ageing, things are changing, I've seen people dying, so that's the train we are all on.
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When you have my confidence, I will do 200% for you.
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I like to think I'm quite brave. I stand up for myself.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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To his credit, Obama has undertaken a truly ambitious effort to redefine the United States' view of the world and to reconnect the United States with the emerging historical context of the twenty-first century. He has done this remarkably well.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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I just always wanted to be left alone to go into a creative space.
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Experimenting with different sounds is great, but when it comes down to it, you're still playing a guitar.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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I refuse to confide and don't like it when people write about art.
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'Ender's Game' has fabulous opportunities for spectacle, where appropriate, but there's also a tremendous central character. It's a balance.
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The whole story of the comfort women, the system of forced sexual slavery, the medical experiments of Unit 731, is not something that is in the US psyche. That is changing because many books are coming out.
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I grew up with 'Friends' from day one and, like, 'Seinfeld' and 'Frazier,' those sorts of shows, but for sure, 'Friends' was it for our family. Like, we would watch every Thursday night at eight o'clock; I couldn't wait.
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Racism is everywhere - the older generations in Malaysia still say things like, 'She's darker-skinned; maybe don't marry her,' and it's very judgmental. A lot of girls do try to get fairness cream to lighten their skin, and I'm against all of that.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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O Lord, help me to be pure, but not yet.
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As an actress, it's part of your job to be able to imagine just about anything - even if it's not within your personal experience.
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After working on 'Europa,' I found it incredibly freeing to speak English in a film, so it kind of sparked an interest in me as an artist to improve my acting.
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I'd read one too many crime novels where the victim was just a name: body number one, dead woman number 12. I understood fear, and I wanted to create characters who made readers say, 'Please, don't hurt this guy.' That's the key to suspense. It's easy to disgust a reader. It's much harder to make them care.
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Happiness inspires productivity.
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What I have to do from here is I have to do the best I can to carry on.
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I'm not funny. What I am is brave.
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One of the series I like is D.M. Cornish's 'Monster Blood Tattoo,' in which he creates a whole language. Kids who are reading that are building a language in their heads. There's no real cognitive difference. I think kids are excited by language, and they're not always given credit for that.
