Jenny Scheinman Quotes
There is one live track on the album, 'Einsamaller,' and that had a conductor - Eyvind Kang.

Quotes to Explore
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We need to find the courage to say no to the things and people that are not serving us if we want to rediscover ourselves and live our lives with authenticity.
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This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conversation, I think. It is a true connecting up.
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I said, to be a New Yorker you have to live here for six months, and if at the end of the six months you find you walk faster, talk faster, think faster, you're a New Yorker.
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One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Out of the 72 kids that I went to high school with, I still talk to 25 of them on a fairly regular basis. Seven of my classmates live in L.A., and five of them are in the entertainment business, and we constantly talk and play fantasy football together.
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We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
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All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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Gentrification always makes me laugh. People complain about traffic. Live in Atlanta! You can't have it both ways; you can't live in an incredible city and not expect it to get congested.
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Everyone's like, 'Oh, you must live in L.A., the glamorous life,' and I really don't. I'm in a small house, in Pittsburgh, in the snow.
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I live in Canada in the summer and some time in the fall.
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I have matured with the realization that I can live without a man!
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Who has connections to Connecticut? That's where rich people go to live the rest of their life in the woods.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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We live in a free world, so everyone can say whatever.
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My kids don't go back and forth; none of this 50/50 time with the mums and dads. My children live with me; that is it.
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I have a doggy, a Japanese Akita, who I live to play with.
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You never know what's going to happen. That's why I like acting. It's precious to me to be able to live more than one life.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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This is my life; these are my fingerprints; I'm unique; this is what I want to do. You worry about your own front porch and what's happening in your own world.
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Before the Civil War, the Negro was certainly as efficient a workman as the raw immigrant from Ireland or Germany. But, whereas the Irishmen found economic opportunity wide and daily growing wider, the Negro found public opinion determined to 'keep him in his place.'
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There is one live track on the album, 'Einsamaller,' and that had a conductor - Eyvind Kang.