Rakim Hasheem Allen (PnB Rock) Quotes
Quotes to Explore
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Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.
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I'm not anti-middle-class in the slightest. Look at me! I am very pro people putting time and money and effort into trying to improve the world.
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I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
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I think America becomes more disgruntled by going to the movies and having an endlessly good time at them.
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When I first met Mandela, we did not discuss anything of substance; we just felt each other out. He spent a long time expressing his admiration for the Boer generals and how ingenious they were during the Anglo-Boer war.
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To be honest, I don't even exactly know how to set up a Google alert. My brother has me on Google alert. So do my parents. But I'm not even sure how it works.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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As a child growing up, it's going to be what you're going to remember most. What you liked or not liked then is going to define who you are at the table!
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I started out with a dream to make a star in a jar in my garage, and I ended up meeting the President of the United States!
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I grew up in a house my parents built together on a mountain in Tennessee. When we moved in, the walls were still going up, we didn't have hot water, and we turned it into an amazing adventure.
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I don't know what I want to be when I grow up. It's funny - people ask me that, and I don't know what to tell them.
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In L.A., it's easy to get wrapped up in this young Hollywood mess. You feel like you have to go out every night. You have to realize that you're here to work. I didn't move out here to party all the time.
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My deceased patients have taught me over the years to believe in the glass half full, to make good use of the time we have, to be generous - that was their lesson for the Uber-mind, and it was free. 'Do that,' they said, 'and then perhaps death shall have no dominion.'
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There is no age better than another. The commitment to give of yourself and the knowledge that the time is right are what's important.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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I think its time to change and balance the environment and growth. If we don't do that, we're going to suffer a hard landing one day very soon.
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I took group lessons at a rink near my home. We first had to learn how to stand up on the ice wearing skates. Eventually we learned to move forward, but soon found out that it was not that easy to stop! So that was our next important lesson.
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The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.
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I don't know that I ever could've imagined just how blessed my life would be.
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That's one thing about Hollywood. People don't always want what's real. People always want a little more. So for me, it's a compromise. Here you go, that hyper-reality.
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I feel I'm a hammer to the construction worker that is the filmmaker.
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You can't be serious all the time. You got to mix it up.
